_RYAN ADAMS
_AFI
_ARCADE FIRE
_BEASTIE BOYS
_BECK
_ANDREW BIRD
_THE DEAD TREES
_FOO FIGHTERS
_THE GOOD THE BAD AND THE QUEEN
_GORILLAZ
_ALBERT HAMMOND, JR.
_JAYMAY
_JIMMY EAT WORLD
_THE MARS VOLTA
_MATES OF STATE
_NINE INCH NAILS
_RADIOHEAD
_SPOON
_THE STROKES
_CORTNEY TIDWELL
_TOKYO POLICE CLUB
 
 
 
 

BECK
DANGER MOUSE-PRODUCED NEW ALBUM OUT THIS SUMMER
SEPTEMBER 20 HOLLYWOOD BOWL SHOW WITH SPECIAL GUESTS SPOON & MGMT ON SALE MAY 10th

Beck has recorded a new album, produced with Brian “Danger Mouse” Burton, to be released this summer. The as yet untitled album contains 10 new songs.

Having met a few years ago, Beck and Danger Mouse had planned to work together at some point, finally convening last December to do a few songs. Encouraged by the results, they decided to make an entire record and over the next few months recorded extensively, with the goal of using only 10 pieces in the end.

The result is a tightly assembled group of songs that range in lyrical tone from introspection and social commentary to off the cuff wordplay and lighthearted humor. Musically, the album’s ten tracks vacillate between economy and experimentation, hybrid and pop classicism, while consistently manifesting Beck and Danger Mouse’s shared interest in psych-rock, folk, electronic minimalism and orchestration.

The album’s diversity of tone is belied by an emphasis on songwriting and musical concision, with the album clocking in at a little over 30 minutes.

The album represents the first new Beck music since last year’s Grammy-nominated digital single “Timebomb.” The new songs also mark the first new material Beck has written since the prolific stretch that produced 2005’s platinum Guero and 2006’s universally acclaimed The Information.

On the live front, Beck will play his biggest hometown headline show to date September 20 at the Hollywood Bowl. The bill will also feature special guests Spoon and MGMT and is the first headline date announced on a U.S. itinerary that so far includes the Austin City Limits, Outside Lands and Bumbershoot festivals.

For more information on Beck’s new album and scheduled concert appearances, please contact Steve Martin or Eliot Wadsworth at Nasty Little Man.

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NINE INCH NAILS
THE SLIP
FIRST EVER COMPLETELY FREE FULL ALBUM DOWNLOAD
AVAILABLE NOW AT NIN.COM

Trent Reznor to Fans: “Thank you for your continued and loyal support over the years. This one’s on me.”

As of 12:01 a.m. PST May 5, Nine Inch Nails’ brand new full length album The Slip is available as free download at NIN.com.

Unlike NIN’s recently released Ghosts I-IV, there are NO paid options available for The Slip, nor are there any retail partners. At present, The Slip is available exclusively as a free download at NIN.com. A physical configuration on CD and vinyl is in the works for a July release.

The Slip marks the first time Nine Inch Nails–or any artist of NIN’s stature–has made its new album available completely and exclusively for free as a DRM-free digital download. The Slip is available as a high-quality MP3 or in a variety of lossless formats including, for the first time, a higher-than-CD quality 24 bit 96k version. All downloads include a PDF with credits and artwork.

Like the free single “Discipline” released last week to terrestrial radio stations and their websites and the track “Echoplex” appearing on iLike, The Slip is a classic straightforward NIN album, featuring Trent Reznor on vocals and various instruments as well as Josh Freese, Robin Finck and Alessandro Cortini. The record was produced by Reznor, Atticus Ross and Alan Moulder. Art direction by Rob Sheridan.

As with previous Nine Inch Nails releases Year Zero and Ghosts I-IV, the complete multi-track files to The Slip will be available free at launch, allowing anyone who wants to create his or her own remixes and reinterpretations of the songs. As always, the Remix.NIN.com community will provide a sire and infrastructure for fans to upload, share, stream and download these various remixes as well as the original masters, all free of charge or restrictions.

The Slip, like Ghosts I-IV, is being released under a Creative Commons license, allowing fans to distribute the songs and files freely and without fear of copyright infringement. More details regarding this license can be found at http://creativecommons.org/licenses/by-nc-sa/3.0/us/

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RADIOHEAD APPEAL TO FANS TO CONSIDER METHODS OF TRAVEL TO UPCOMING SHOWS

On the eve of their 2008 tour, which begins this Monday in West Palm Beach FL, Radiohead are appealing to fans to think about how they travel to and from shows.

Last year, the band commissioned carbon footprint analysts Best Foot Forward to calculate the carbon generated on their two previous US tours. The report showed that fans’ travel to and from the shows accounted for the greatest proportion of the CO2 generated during each tour, something now widely accepted across the industry.

Following the report’s recommendations, Radiohead are encouraging fans to consider public transport where available, or increased carpooling for shows outside city centers. Gig goers can compare the CO2 generated by different methods of transport by visiting an online calculator on Radiohead’s website. Some of the venues have also helped by offering incentives to fans coming by public transport or in a full car.

After the tour, the band will invite ticket holders to submit information on their methods of travel so further research can be done on carbon emissions and methods to reduce them.

Radiohead’s production team will also be posting information on how the band are trying to reduce their own carbon emissions on tour without compromising the quality of the shows.

For more information go here:
http://www.radiohead.com/themostgiganticflyingmouthforsometime/

For a copy of the commissioned report, go here:
http://www.radiohead.com/radiohead_bff.zip

Radiohead’s full 2008 North American itinerary is as follows. For ticketing info, etc., check: http://www.radiohead.com/tourdates/

May 5th - Cruzan Amphitheatre, West Palm Beach, FL
May 6th - Ford Amphitheatre, Tampa, FL
May 8th - Lakewood Amphitheatre, Atlanta, GA Sold Out
May 9th - Verizon Wireless Amphitheatre, Charlotte, NC Sold Out
May 11th - Nissan Pavilion at Stone Ridge, Bristow, VA Sold Out
May 14th - Verizon Wireless Amphitheatre, St Louis, MO
May 17th - Cynthia Woods Mitchell Pavilion, Houston, TX Sold Out
May 18th - Superpages.com Center, Dallas, TX Sold Out

August 1st - Lollapalooza Festival, Chicago, IL
August 3rd - Verizon Wireless Music Center, Indianapolis, IN
August 4th - Blossom Music Center, Cleveland, OH
August 6th - Parc Jean Drapeau, Montreal, Quebec
August 8th - All Points West Festival Liberty State Park, New York
August 9th - All Points West Festival Liberty State Park, New York
August 12th - Susquehanna Bank Center, Camden NJ
August 13th - Tweeter Center, Mansfield, MA
August 15th - Molson Amphitheatre, Toronto, Ontario Sold Out
August 19th - Thunderbird Stadium, Vancouver, BC Sold Out
August 20th - White River Amphitheatre, Auburn, WA Sold Out
August 22nd - Outside Lands Festival, San Francisco, CA
August 24th - Hollywood Bowl, Los Angeles, California Sold Out
August 25th - Hollywood Bowl, Los Angeles, California Sold Out
August 27th - Cricket Wireless Amphitheatre, Chula Vista, CA
August 28th - Santa Barbara Bowl, Santa Barbara, CA Sold Out

***************************************************************
SPOON
FINAL 2008 DATES ANNOUNCED
Don’t You Evah EP Debuts #1 on Billboard Singles Sales Chart

Following on a standing-room-only U.S. tour that culminated in the Don’t You Evah EP entering Billboard’s singles sales chart at #1, Britt Daniel, Jim Eno, Eric Harvey and Rob Pope-collectively known as Spoon-have confirmed their final live engagements of 2008.

This last run of Spoon shows will be preceded by a May 3 Britt Daniel solo performance at the Belly Up in Solana Beach CA. From there, the full band will be headlining the KNRK Pet Aid Benefit in Troutdale OR, playing their biggest ever New York show July 15 at Brooklyn’s Prospect Park, appearing at the Mile High and Pitchfork festivals, making their debut at the Hollywood Bowl September 20 supporting Beck, and concluding with a three-night residency at the Fillmore Theater in San Francisco-the last dates of the tour and first Spoon SF headline engagement since the July 2007 release of Ga Ga Ga Ga Ga. Tickets for the Fillmore shows go on sale to the general public May 11.

These dates will mark the close of more than a year’s worth of touring in support of Spoon’s sixth full-length studio album, Ga Ga Ga Ga Ga, which was Spoon’s first Top 10 album and most acclaimed release of their career. Ga Ga Ga Ga Ga’s U.S. sales are now approaching 300,000, the band’s biggest ever coverage has run in the likes of TIME and THE NEW YORKER, Best of 2007 placements have included NPR, GQ, NEW YORK, ROLLING STONE, PITCHFORK, BLENDER, ENTERTAINMENT WEEKLY, SPIN THE ONION, PASTE and the WASHINGTON POST, and Oct. 6 marked the band’s debut appearance on SATURDAY NIGHT LIVE.

The full itinerary for the May-September dates is as follows:

Sat May 3rd
Solana Beach, CA
Belly Up (Britt Daniel solo)

Fri June 13th
Troutdale, OR
Edgefield Amphitheater (KNRK Pet Aid 2008)

Tue July 15th
Brooklyn, NY
Prospect Park

Sat July 19th
Denver, CO
Mile High Festival

Sun July 20th
Chicago, IL
Pitchfork Music Festival

Sat Sep 20th
Hollywood, CA
Hollywood Bowl

Mon Sep 22nd
San Francisco, CA
Fillmore Theatre

Tue Sep 23rd
San Francisco, CA
Fillmore Theatre

Wed Sep 24th
San Francisco, CA
Fillmore Theatre

For further information, contact Steve Martin or Laura Eldeiry at nasty little man tel 212 343 0740 e-mail laura@nastylittleman.com

***************************************************************
Damon Albarn, Jamie Hewlett & Chen Shi-Zheng Present
MONKEY: JOURNEY TO THE WEST
U.S. PREMIERE MAY 22-JUNE 8
AT 2008 SPOLETO FESTIVAL USA IN CHARLESTON, SC

London Premiere July 23-26 At The Royal Opera House

Following sold-out runs in Manchester and Paris, Director Chen Shi-Zheng and GORILLAZ masterminds Damon Albarn and Jamie Hewlett’s adaptation of MONKEY: JOURNEY TO THE WEST will make its Stateside debut with a May 22 preview performance followed by 17 shows staged May 23 -June 8 all at the 2008 Spoleto Festival USA in Charleston, South Carolina. The show will open in London two months later at the Royal Opera House.

MONKEY: JOURNEY TO THE WEST was first staged June 28, 2007 in the UK at the inaugural Manchester International Festival, whose director Alex Poots suggested that world-renowned theatre, opera and film director Shi-Zheng enlist GORILLAZ co-creators Albarn and Hewlett to provide unique, modern musical and visual interpretations of the themes and characters of this most beloved work of Chinese folklore.

The result is a new opera for the 21st century based on an ancient Chinese legend reworked as a dazzling spectacle involving nearly 40 Chinese circus acrobats, martial artists and singers from China with an orchestra of Western and traditional Chinese instruments. Developed in Beijing, Paris, Berlin and London the show has had sell-out runs in Manchester and Paris.

MONKEY: JOURNEY TO THE WEST is performed in Mandarin with subtitles, its storyline chronicling the Monkey King’s journey to enlightenment as it takes him undersea, to decadent banquets in heaven, through encounters with Spider Maidens and Skeleton Demons, and eventually to paradise. Hewlett’s renditions of MONKEY’s cacophony of characters combine with Albarn’s debut opera score’s deft integration of western and traditional Chinese instrumentation to create a wholly engrossing new universe that reinvents a legend with a thrilling combination of music and action.

Chen Shi-Zheng’s previous credits range from Chinese opera and theatre to the Hollywood movie Dark Matter (starring Meryl Streep). Damon Albarn and Jamie Hewlett are the co-creators of award-winning virtual band Gorillaz, whose two albums Gorillaz and Demon Days have amassed global sales of over 10 million, the latter of which spawned the Demon Days Live extravaganza, a tribute to the animated group featuring guest performers ranging from Dennis Hopper to the late Ike Turner, performed a total of five times each at the Manchester Opera House and New York City’s Apollo Theater.

About Spoleto Festival USA
Spoleto Festival USA has firmly established itself as one of the world’s major arts festivals since its inception in 1977. For 17 days and nights each spring, Spoleto Festival USA fills Charleston, South Carolina’s historic theatres, churches and outdoor spaces with over 100 performances by renowned artists and emerging performers in disciplines ranging from opera, theater, music theater, dance, and chamber, symphonic, choral and jazz music, as well as the visual arts. For more information, please visit www.spoletousa.org.


***************************************************************
ALBERT HAMMOND, JR.
Como Te Llama?
SOPHOMORE SOLO RECORD OUT JULY 8

Como Te Llama? is the new album from Albert Hammond, Jr. and cohorts Matt Romano, Marc Philippe Eskenazi and Josh Lattanzi, and will be released July 8th.

Following his feted 2007 solo debut Yours To Keep, Albert Hammond, Jr. and his merry men return with a new album Como Te Llama? (or “What’s Your Name?” if your Spanish is a little rusty). The title, rung out of casual conversation between Albert and Matt over some vino tinto, hints at the classic, summery music held within.

The record was recorded over 5 weeks at Electric Lady Studios and produced by Albert along with engineer Gus Oberg and drummer Romano. “I’m really proud of the power this record has,” says Albert. “I feel like my melodies and song arrangements have matured. Lyrically, I tried to have the words flow out more freely and not try to write one song but many. I would just sing and sing and then arrange the words afterwards.”

From the heavy riffage of “The Boss Americana”, the woozy charm of lilting instrumental “Spooky Couch” to the bright, reggae-bounce of “Borrowed Time”, it’s clear that Como Te Llama? is perhaps the boldest, most eclectic and ambitious record of Albert’s career. “My favorite songs would be ‘Borrowed Time’, ‘Victory At Monterey’ and ‘You Won’t Be Fooled By This’” says Albert. “I love the whole record, but they change day by day, it’s like deciding what you want to eat.” “GfC” will be the first single from the album.

Musically, Albert’s band played a much greater role in the creative process of the new record as he explains; “Every one of the band members brought his or her personality to the music. Even if they played a part I had written they made it their own, I’d get it back and arrange all these new ideas into a better song then we had before. Marc represents youth and curiosity. Josh represents age and wisdom and Matt is the best friend that helps me communicate the rhythm of the music. He’s the spark. I love sharing my music with these tasty motherfuckers!”

Additional personnel were added to the record in the form of Sean Lennon’s piano on “Spooky Couch” and the string quartet of Earl Maneein (violin), Matt Szemela (violin), Jon Weber (viola) and Jessie Reagen (cello) on multiple tracks. Also, the shadows of The Kinks, The Clash and Crazy Horse-era Neil Young were cast over Albert’s songwriting on the record; “Not so much that the album sounds like any of those bands, its just they gave me a new way to express my songwriting.”

With a tour penciled for summer, the band are in exuberant spirits, as Albert reveals; “Our goal is to tour this album every where we can, get into those cracks and fill them up with music!”

Track listing for Como Te Llama? is below. For more information contact Steve Martin or Eliot Wadsworth at Nasty Little Man.

01 Bargain Of A Century
02 In My Room
03 Lisa
04 GfC
05 The Boss Americana
06 Rocket
07 Victory At Monterey
08 You Won’t Be Fooled By This
09 Spooky Couch
10 Borrowed Time
11 G Up
12 Miss Myrtle
13. Feed Me Jack Or: How I Learned To Stop Worrying And Love Peter Sellers

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NINE INCH NAILS THWARTS SCALPERS, HOLDS BEST TICKETS FOR FANS

UNIQUE TOUR FAN CLUB OFFERS Best Seats Available Exclusively via Limited NIN.com Personalized Pre-Sale

Nine Inch Nails has secured extremely limited allotments of the guaranteed best possible seats to every headlining show on the band’s upcoming tour and reserved them for pre-sale via NIN.com. Beginning roughly 72 hours prior to each general on-sale, Nine Inch Nails fans registering under their legal names at NIN.com will be offered exclusive advance access to these prime tickets.

Additionally, in an initiative to protect NIN fans from scalpers and ticket brokers, every pre-sale ticket will be personalized with the purchaser’s legal name printed on the ticket. Tickets will not be available until night of show, at which point they will be waiting for the purchaser and his/her party at designated will calls at separate entrances to be used exclusively by NIN.com pre-sale ticket holders.

Government-issued ID matching the name printed on the ticket will be required for venue entry night of show. NO tickets will be mailed in advance.

Ticket quantities are extremely limited and available on a first come first served basis.

For further information regarding tour dates, pre-sales, on-sales and other major developments, keep checking back at NIN.com.

***************************************************************
JAYMAY CONFIRMS FIRST EVER U.S. TOUR
Autumn Fallin’ Out Now

“(Four stars)…the kind of surgical precision rarely seen since Bob Dylan’s wicked youth.”-SPIN

After months of touring the UK in support of her finally-available-in-the-U.S. debut Autumn Fallin’ -not to mention her recent television debut on LATE NIGHT WITH CONAN O’BRIEN–JAYMAY has decided to make her first extensive trek beyond the coasts and grace the greater U.S. with her presence!

JAYMAY’s recent stint at South By Southwest bodes well for the tour, with her having been singled out by NPR at one of the “three most exciting artists” of the 1600 acts playing SXSW. But better to let live footage do the talking:

NPR performance of Grey or Blue:
http://www.npr.org/templates/story/story.php?storyId=88670991

Lonely Men Built Lonely Cities:
http://www.youtube.com/watch?v=6y1XQ8NDtAI&feature=related

One May Die So Lonely
http://www.youtube.com/watch?v=TrYU6ZpoGGM&feature=related

She’ll be doing another run of May dates in Europe with Jens Lekman, and then will be returning to her hometown NYC to kick off the U.S. tour.

With Jens Lekman:
May 12 - Nottingham, UK - Rescue Rooms
May 13 - Newcastle, UK - The Cluny
May 14 - Leeds, UK - Woodhouse Club
May 15 - Glasgow, UK - Oran Mor
May 19 - Manchester, UK - Academy 3
May 21 - Birmingham, UK - Glee Club
May 23 - Belfast, UK - The Black Box
May 24 - Galway, Ireland - Roisin Dubh
May 25 - Dublin, Ireland - The Village

With Fink:
June 10 - NEW YORK, NY - Bowery Ballroom
June 11 - PHILADELPHIA, PA - Tin Angel
June 12 - ARLINGTON, VA - Iota
June 13 - CLEVELAND, OH - B-Side
June 14 - PITTSBURGH, PA - Club Cafe
June 16 - CHICAGO, IL - Schuba’s
June 18 - LOS ANGELES, CA - Troubadour
June 19 - SAN FRANCISCO, CA - Cafe du Nord
June 20 - PORTLAND, OR - Doug Fir
June 21 - SEATTLE, WA - Tractor Tavern

***************************************************************
THE MARS VOLTA ADD DATES TO 2008 WORLD TOUR

“Perhaps the most musically adventurous act currently signed to a major label”-THE NEW YORKER

The Mars Volta, who kicked off their spring 2008 headline tour last week in Florida, have confirmed that they will be bringing their “thrilling Zeppelin-esque mojo” (INTERVIEW) to additional cities from Denver to the Pacific Rim.

Hailed by TIME OUT NEW YORK as “a fantastically talented band capable of stunning feats of psych-pop grandeur,” The Mars Volta was formed in 2001 by Omar Rodriguez-Lopez and Cedric Bixler-Zavala. The band has released four albums to date: The gold-certified De-Loused In The Comatorium (2003) and Frances The Mute (2005), Amputechture (2006) and the just-released The Bedlam In Goliath, which entered the U.S. album chart at a career high of #3.

The new album and tour have been generating the most enthusiastic reviews of the band’s career, with THE NEW YORK TIMES describing a recent New York City performance as “a mixture of rigorous virtuosity, psychedelic euphoria and punk intensity” and praising them as “rock’s finest avatar of excess.

The current itinerary is attached. Additional North American and overseas dates will be announced shortly.

April
10 - Austin - Music Hall
12 - Mexico City - Zero Festival
14 - Houston - Verizon Wireless Arena
15 - Tulsa - Cain’s Ballroom
17 - St Louis - The Pageant
18 - Columbus - Newport Music Hall
20 - Chicago - Aragon Ballroom
21 - St Paul - Roy Wilkins Auditorium
26 - Guadalajara - Zero Festival

May
12 - Toronto - Sound Academy
14 - Cleveland - Agora
15 - Detroit - Fillmore
18 - Denver - Fillmore
19 - Salt Lake City, UT - The Great Salt Air
21 - Calgary - McEwen Hall
22 - Edmonton - Events Center
24 - Vancouver - PNE
26 - George, WA - SASQUATCH

June
10 - Osaka - Hatch
11 - Nagoy - Diamond Hall
13 - Tokyo - Studio Coast
17 - Perth - Metro
19 - Sydney - Horden Pavilion
21 - Brisbane - Arena
23 - Melbourne - Forum Theater
26 - Auckland - Logan Campbell

July
12 - Leige (belgium) - Les Ardentes (festival)
19 - Southwold - Latitude (festival)
23 - Vienna - Arena
25 - Warsaw - Stodola

Aug
2 - Lisbon - Parades de Coura (festival)

For further information, please contact Steve Martin or Amy Grote, tel 212 343 0740, email amy@nastylittleman.com

***************************************************************
NINE INCH NAILS CONFIRMS TOURING LINEUP

Nine Inch Nails 2008 touring lineup has been completed. Returning member Robin Finck and new addition Rich Fownes will join Trent Reznor, Alessandro Cortini and Josh Freese for a world tour beginning July in North America.

Finck has served in numerous touring configurations of NIN, from tours supporting The Downward Spiral (1994-1997) to The Fragile (2000-2001). More recently, he played in Guns N Roses. Fownes has been performing with UNKLE, and has been a member of With Scissors and The Eighties Matchbox B-Line Disaster.

The upcoming tour will feature the live debut of material from the recently released Ghosts I-IV alongside songs spanning the entire NIN catalogue.

Confirmed dates thus far for NIN’s 2008 world tour are listed below. Additional dates and on-sales will be announced shortly.

07/25/08 - Pemberton, BC - Pemberton Festival
07/26/08 - Seattle, WA - Key Arena at Seattle Center
07/28/08 - Edmonton, ALB - Rexall Place
07/29/08 - Calgary, ALB - Pengrowth Saddledome
07/31/08 - Winnipeg, MAN - MTS Centre
08/02/08 - Minneapolis, MN - Target Center
08/05/08 - Toronto, ONT - Air Canada Centre
08/07/08 - Uncasville, CT - Mohegan Sun Arena
08/08/08 - Worcester, MA - DCU Center
08/12/08 - Knoxville, TN - Knoxville Civic Coliseum
08/13/08 - Duluth, GA - Gwinnett Arena
08/15/08 - Oklahoma City, OK - Ford Center
08/16/08 - Houston, TX - Toyota Center
08/18/08 - Dallas, TX - American Airlines Center
08/20/08 - St. Louis, MO - Scottrade Center
08/22/08 - Cleveland, OH - Quicken Loans Arena
08/23/08 - Auburn Hills, MI - Palace of Auburn Hills
08/27/08 - East Rutherford, NJ - Izod Center
08/29/08 - Philadelphia, PA - Wachovia Center
08/31/08 - Lexington, KY - Rupp Arena
09/02/08 - Morrison, CO - Red Rocks Amphitheater
09/03/08 - Salt Lake City, UT - The E Center of West Valley
09/05/08 - Oakland, CA - Oracle Arena
09/06/08 - Los Angeles, CA - The Forum

For more information please contact Steve Martin Or Amy Grote at 212 343 0740, or amy@nastylittleman.com

***************************************************************
JIMMY EAT WORLD
BLEED AMERICAN DELUXE OUT APRIL 29

2-Disc Edition Features Rare Import Tracks, B-Sides, Previously Unreleased Live And Demo Tracks, Newly Recorded “Your House 2007″

“[Jimmy Eat World] conjure that shock of near-bubblegum catchiness, airtight ensemble attack and bittersweet mingling of anguish and uplifting melody that many bands fake but few can pull off… Jimmy Eat World have managed to be radical by just being sincere.”
- ROLLING STONE lead review of Bleed American, Aug. 16, 2001

“Tuneful, retro alt-rock-Brilliant!”-BLENDER, BEST OF 2001

“An eclectic sonic feast (Album of the week)”-PEOPLE, August 6, 2001

For every artist paralyzed with fear and frustration as to how to “make it” in today’s terrifying marketplace, the story behind Jimmy Eat World’s Bleed American provides both inspiration and a lesson in Perseverance 101.

Circa August 1999, things couldn’t look much more dire for the Mesa AZ foursome. Jim Adkins, Rick Burch, Zach Lind and Tom Linton had seen their two major label full lengths, Static Prevails and Clarity, ignored by mainstream media, radio and their label Capitol Records, who had just unceremoniously dropped them.

However, this same turn of events that has broken the will–and the bank–of many a lesser artist found Jimmy Eat World celebrating its newfound independence with a self-promoted five-week tour of Europe. That their label had never released Jimmy Eat World material overseas was hardly an obstacle: The band began buying its own records from the label’s distributor and shipping them to Europe independently. Within a year, Jimmy Eat World was playing Europe’s biggest festivals as Clarity hit the German charts, self-releasing and independently releasing compilations and EPs, doing Japanese licensing deals, and touring touring touring… ultimately channeling everything back into the recording of Bleed American.

Having recorded it on their own dime as a dedication to the fans that had kept them alive during the lean times, the members of Jimmy Eat World couldn’t possibly have predicted that Bleed American would become a platinum-plus, MTV VMA-nominated bona fide career breakthrough smash. Released in July 2001, in a world with no iTunes store, no MySpace, no Facebook, and charts still utterly dominated by the Britneys, N Syncs and Limp Bizkits, four down to earth guys from Arizona who’d just been dropped by a major label improbably rode this self-funded album to platinum status, their biggest tours to date and an appearance on Saturday Night Live.

For anyone looking to do the same, the path is simple: Just create songs as heartfelt, tuneful and instantly indelible as Bleed American’s title track, “The Middle,” “Sweetness,” “A Praise Chorus” or “The Authority Song,” all of which remain staples of the band’s live set to this day. And for those who crave something other than the perfect upbeat and optimistic pop anthem, the minor key whisper-to-a-scream “Get It Faster,” the five and a half minute “Cautioners” and the somber “My Sundown” all stand as proof of Jimmy Eat World’s daring and depth.

This 2-disc deluxe edition of Bleed American not only restores the record’s original title-the band re-titled the record Jimmy Eat World following the events of 9/11 and the subsequent deployment of U.S. troops to the Middle East-but also provides further documentation of Jimmy Eat World’s powerful and prolific output circa 2001-2002: Obscure fan favorites “No Sensitivity,” “Softer” and “(Splash) Turn Twist,” the collectors item holiday single “Last Christmas”/”Firestarter,” the band’s cover of Guided By Voices’ “Game of Pricks,” and the piece de resistance, the never before heard “Your House 2007.” The stunning reimagining of the Bleed American track the band debuted on its 2007 stripped down semi-acoustic tour elicited an unexpectedly intense response from fans at the shows and later on message boards, moving the band to commit the arrangement to tape to honor its fans if nothing else…

The 2-disc Bleed American deluxe collects all this and more for the first time in one place, creating an essential and comprehensive document for any fan of Jimmy Eat World-or any fan of what USA TODAY called “euphoric, uplifting, reassuring rock.”

DISC ONE: THE ORIGINAL ALBUM
1 BLEED AMERICAN
2 A PRAISE CHORUS
3 THE MIDDLE
4 YOUR HOUSE
5 SWEETNESS
6 HEAR YOU ME
7 IF YOU DON’T, DON’T
8 GET IT FASTER
9 CAUTIONERS
10 THE AUTHORITY SONG
11 MY SUNDOWN
BONUS TRACKS
12 THE MOST BEAUTIFUL THINGS
from the Good To Go EP
13 NO SENSITIVITY
from the German “The Middle” single
14 (SPLASH) TURN TWIST
from The Middle (And More) EP

DISC TWO: B-SIDES AND BONUS TRACKS
1 CAUTIONERS early version
from the Good To Go EP
2 FIRESTARTER
b-side of the “Last Christmas” single
3 GET IT FASTER sessions @ aol version
previously unreleased
4 BLEED AMERICAN live
from The Middle/A Praise Chorus Tour EP
5 A PRAISE CHORUS live
from the Good To Go EP
6 SOFTER live
from the Good To Go EP
7 THE MIDDLE acoustic
from The Middle/A Praise Chorus Tour EP
8 IF YOU DON’T, DON’T XFM session
from the UK “The Middle” single
9 GAME OF PRICKS Radio 1 session
from the UK “The Middle” single
10 THE AUTHORITY SONG demo
from the German “Bleed American” single
11 MY SUNDOWN inner ear recording
from Believe In What You Want
12 SWEETNESS live
previously unreleased
13 LAST CHRISTMAS
limited edition single
14 MY SUNDOWN demo
from the German “Bleed American” single
15 SPANGLE
from the Good To Go EP
16 HEAR YOU ME inner ear recording
from Believe In What You Want
17 THE MIDDLE early demo
from the German “The Middle” single
18 YOUR HOUSE 2007
previously unreleased

For more information on this special release and Jimmy Eat World’s current co-headline tour with Paramore, please contact Steve Martin or Eliot Wadsworth at Nasty Little Man.

***************************************************************
FOO FIGHTERS ADD TO U.S. SUMMER TOUR ITIN

Foo Fighters have announced that they will headline Virgin Festival 2008 at Toronto’s Island Park. They have also added to their US tour itinerary with newly announced dates at East Ruthorford, NJ among others. The band will continue to announce new dates over the next few weeks. Supergrass will be supporting on all U.S. summer shows.

The U.S. summer tour extends what is shaping up to be an extraordinary year on the road - the Foos recently sold out their first ever show at Madison Square Garden, have sold out two June dates at London’s Wembley Stadium, and between now and July will visit Japan, Finland, and Australia, among others. The reviews of the band’s recently concluded American tour were glowing; the Houston Chronicle called the Foos “a band at the peak of its powers, in all respects,” and the Boston Globe described ringleader Dave Grohl as “the funniest, savviest, and most exciting frontman in rock ‘n’ roll in 2008.”

Stay tuned to FooFighters.com for ticket information and further updates. Newly announced dates are underlined below. For more info on the tour and the Grammy-winning album Echoes, Silence, Patience & Grace, contact Steve Martin or Eliot Wadsworth at Nasty Little Man.

July 9 - Seattle WA - Key Arena
July 10 - Portland OR - Rose Garden Arena
July 14 & 15 - Morrison CO - Red Rocks
July 17 - Oklahoma City OK - Ford Center (rescheduled from earlier this year)
July 19 - Kansas City MO - Kemper Arena
July 20 - St. Louis MO - Scottrade Center
July 22 - Grand Rapids MI - Van Andel Arena
July 23 - Indianapolis IN - Conseco Field House
July 25 - Cleveland OH - Quicken Loans Arena
July 26 - Pittsburgh PA - Peterson Events Center
July 29 - East Rutherford NJ - Izod Center
August 9 - Baltimore MD - Pimlico Race Course - Virgin Mobile Festival
September 6 - Toronto ON - Virgin Festival

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RADIOHEADREMIX.COM

Radiohead, iTunes and Garageband are giving fans the opportunity to remix the band’s new single “Nude” at http://www.radioheadremix.com
To make remixing easy, the separate ’stems’* from the song will be available to purchase from iTunes. The ’stems’ available are bass, voice, guitar, strings/fx and drums. Fans can mix them in any way they like, either by adding their own beats and instrumentation, or just remixing the original parts.
Fans who purchase all five ’stems’ from iTunes during the first week they’re available, will be sent an access code to a GarageBand file ready to open in GarageBand or Logic. However, you don’t need GarageBand to do a remix, all the stems are available in iTunes Plus and compatible with several music software platforms.
Finished mixes can be uploaded to http://www.radioheadremix.com where the public will listen and vote for their favourite remix (voting ends May 1st). Fans can also create a widget allowing votes from their own website, Facebook or MySpace page to be counted as ‘mix votes’ back on radioheadremix.com.
Nude is out now in the UK on CD, 7″ and download.
*’stems’ are the component parts of the song.

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TOKYO POLICE CLUB TOUR SOLD OUT IN NYC, LA, SF, TORONTO
DEBUT ALBUM ELEPHANT SHELL OUT APRIL 22 ON SADDLE CREEK

Although the release of their first full-length album is still a month away, Tokyo Police Club has started their US tour with a bang, selling out three nights in New York and two in Los Angeles among others.

The furor around the tour and upcoming album isn’t a complete surprise; the band’s 2006 EP A Lesson In Crime was perhaps the best received 16 minutes of music in recent history. Since then, TPC has toured virtually non-stop, pausing only to release last year’s Smith EP and digital-only single “Your English Is Good.” Elephant Shell (which will also be released in the UK on May 5th via Memphis Industries) features the single “Tessellate” and “In a Cave,” the latter of which was described by Pitchfork as “what these young Canadian dudes do best, barreling forward with a bouncy herky-jerk rhythm, braiding together several strands of ringing guitar, and filling in the spaces with those Day-Glo chords that made ‘Nature of the Experiment’ such a winner.”

Tokyo Police Club was formed in 2005 by David Monks (vocals, bass), Josh Hook (guitar), Graham Wright (keyboards), and Greg Alsop (drums). The complete track listing for Elephant Shell is:

1. Centennial
2. In A Cave
3. Graves
4. Juno
5. Tessellate
6. Sixties Remake
7. The Harrowing Adventures Of…
8. Nursery Academy
9. Your English Is Good
10. Listen To The Math
11. The Baskervilles

See below for all confirmed North American dates. This extensive tour will be followed by a UK/Europe run beginning in late May. For more information on the tour and upcoming album, please contact Steve Martin or Eliot Wadsworth at Nasty Little Man.

Mar. 24, 2008 The Independent - San Francisco, CA SOLD OUT
Mar. 25, 2008 The Glass House - Pomona, CA
Mar. 26, 2008 Troubadour - Hollywood, CA SOLD OUT
Mar. 27, 2008 Troubadour - Hollywood, CA SOLD OUT
Mar. 28, 2008 Soma - San Diego, CA
Mar. 29, 2008 The Clubhouse - Tempe, AZ
Mar. 31, 2008 Meridian Red Room - Houston, TX
Apr. 1, 2008 House of Blues - Dallas, TX
Apr. 3, 2008 Club Downunder - Tallahassee, FL
Apr. 4, 2008 Studio A - Miami, FL
Apr. 5, 2008 Backbooth - Orlando, FL
Apr. 8, 2008 Exit/In - Nashville, TN
Apr. 9, 2008 The Spot - Cleveland, OH
Apr. 18, 2008 Barrymore’s Music Hall - Ottawa, ON
Apr. 19, 2008 Cabaret du Musee Juste Pour Rire - Montreal, QC
Apr. 20, 2008 Bowery Ballroom - New York, NY SOLD OUT
Apr. 21, 2008 Music Hall of Williamsburg - Brooklyn, NY SOLD OUT
Apr. 22, 2008 Bowery Ballroom - New York, NY SOLD OUT
Apr. 24, 2008 Paradise Rock Club - Boston, MA
Apr. 26, 2008 Pearl Street Night Club - Northampton, MA
Apr. 28, 2008 First Unitarian Church - Philadelphia, PA
Apr. 29, 2008 Black Cat - Washington, DC
Apr. 30, 2008 Big Orbit’s Soundlab - Buffalo, NY
May 2, 2008 Opera House - Toronto, ON SOLD OUT
May 3, 2008 Opera House - Toronto, ON
May. 4, 2008 Magic Stick - Detroit, MI
May. 5, 2008 Metro - Chicago, IL
May. 6, 2008 Varsity Theatre - Minneapolis, MN
May. 8, 2008 Garrick Theatre - Winnipeg, MB
May. 9, 2008 Louis’ Pub - Saskatoon, SK
May. 10, 2008 The Warehouse - Calgary, AB
May. 11, 2008 The Warehouse - Calgary, AB
May. 12, 2008 Starlite Room - Edmonton, AB
May. 16, 2008 Plaza Club - Vancouver, BC
May. 17, 2008 Sugar Nightclub - Victoria, BC
May. 18, 2008 Neumos - Seattle, WA
May. 19, 2008 Hawthorne Theatre - Portland, OR
May. 22, 2008 Bluebird Theatre - Denver, CO
May. 23, 2008 Slowdown - Omaha, NE

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MATES OF STATE
RE-ARRANGE US
OUT MAY 20 ON BARSUK
Sasquatch Festival Appearance Confirmed for May 25
Followed by May 28 Headline Date at Henry Fonda Theater

Kori Gardner and Jason Hammel, the he and she music factory known as Mates of State, have confirmed the May 2008 release and track listing for their fifth full length album, Re-Arrange Us. They have also confirmed that Mates of State will appear at the Sasquatch Festival Sunday, May 25, followed by a May 28 date at Los Angeles’ Henry Fonda Theater, and a full headlining tour and numerous other festival dates to be announced shortly. The tour will mark Mates’ first extensive road trip since NPR’s This American Life tour last February, where they provided musical interludes between Ira Glass, Dave Eggers, Dan Savage, Sarah Vowell and David Rakoff’s readings to 3000+ crowds across the U.S.
Produced by Peter Katis and Mates of State, the track listing for Re-Arrange Us is:

Get Better
Now
My Only Offer
The Re-Arranger
Jigsaw
Blue and Gold Print
Help Help
You Are Free
Great Dane
Lullaby Haze

Re-Arrange Us also features the most complex packaging of any Mates of State release to date. The reversible and multi-layered cover art allows fans to “Re-Arrange” it into no less than eight different configurations.

The packaging of Re-Arrange Us could well be seen as a reflection of the growing complexity of Mates of State’s music. While, until recently, Jason and Kori have performed exclusively as a duo, Mates of State have never failed to generate a trademark wall of sound built on dozens of varied voicings of keys, drums, and alternately lushly layered and playfully dueling vocals. On Re-Arrange Us they move beyond these boundaries with additional instrumentation-not to mention a quantum leap in song craft apparent on instantly indelible gems like “Now,” “Jigsaw” and “Get Better.” Throughout Re-Arrange Us, Kori’s piano and the emergence of both Mates’ lead vocals from their trademark harmonizing signal the next stage of Mates of State’s evolution.

For futher information, please contact Steve Martin or Amy Grote, tel 212 343 0740 email amy@nastylittleman.com

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OUT NOW:

-JIMMY EAT WORLD: BLEED AMERICAN DELUXE

-TOKYO POLICE CLUB: ELEPHANT SHELL

-SPOON: DON’T YOU EVAH EP

-JAYMAY: AUTUMN FALLIN

-RADIOHEAD: IN RAINBOWS

-THE MARS VOLTA: THE BEDLAM IN GOLIATH

-NINE INCH NAILS: GHOSTS I-IV

-FOO FIGHTERS: ECHOES, SILENCE, PATIENCE & GRACE

-JIMMY EAT WORLD: CHASE THIS LIGHT

-SPOON: GA GA GA GA GA