Nasty Little Man

Upcoming Releases:

AMYL AND THE SNIFFERS: Cartoon Darkness (10/25/24)

ST. VINCENT: Todos Nacen Gritando (11/15/24)

LCD SOUNDSYSTEM

“x-ray eyes”

NEW SONG OUT NOW

“x-ray eyes,” the first new LCD Soundsystem song to be released since 2022, is available now across digital platforms and on limited edition white label 12” vinyl exclusively at the band’s shows and through dfarecords.com.

Following the announcement of “x-ray eyes” and its impending release, LCD’s James Murphy revealed that the band has been working on its long awaited fifth album, its first since 2017’s Grammy-winning AMERICAN DREAM. Read James’s statement in full HERE

“x-ray eyes” was written by James Murphy, Al Doyle and Nancy Whang, and produced by James Murphy for DFA Productions.

LCD Soundsystem celebrated Halloween last night with the first show of its eight-date Los Angeles residency, which continues through November 3 at Shrine Expo Hall and November 7-10 at Hollywood Palladium. Check www.youareherela.com for further information.

Following the conclusion of the L.A. run, the band will return to the Knockdown Center in Queens, NY for a 12-show residency taking place over three weekends, November 21-24, December 5-8 and December 12-15. For further details of the NYC residency, which will include various live openers, afterparties featuring special guest DJs, a DFA Records swap meet, an on-site Four Horsemen wine bar and more, go to https://youarehere.bowerypresents.com

To commemorate the occasion, the band is releasing a limited edition run of screen printed 12-inches–– featuring “x-ray eyes” on the A-side along with the never-before-heard trash can dub remix version on the B-side. Only 100 of these will be available exclusively each night of the Los Angeles and New York City run of shows, and will be numbered as well as stamped with the venue and date. 500 will be available for pre-order via DFA Records. A general, non-screen printed version of the 12” release will follow.

GHOST

WORLD TOUR 2025

TICKETS ON SALE HALLOWEEN WEEKEND

“As far as live acts go, they’re one of the best in the business” —THE LOS ANGELES TIMES

For approved artist images and hi-res tour art, please download HERE.

Today, GHOST announced its biggest world tour to date beginning with 55+ shows across the U.S., Europe, the UK, and Mexico next year. The GRAMMY-award winning Swedish theatrical rock icons will traverse the globe from the tour’s April 15 opening night at the AO Arena in Manchester UK, headlining scores of the world’s most notable arenas—including the band’s first ever show at New York’s iconic Madison Square Garden on July 22. Further dates will be announced as they are confirmed.

The 2025 world tour will be GHOST’s first outing since its RE-IMPERATOUR 2023 wrapped up its North American run with two sold-out shows at the Kia Forum in Los Angeles—performances that were immortalized in the band’s record-breaking debut feature film RITE HERE RITE NOW — now available for pre-order on DVD, to stream at VEEPS, and to purchase or rent via iTunes or Amazon — and its chart-topping soundtrack album. News of the tour first broke via a new installment of GHOST’s long running Chapters webisode series, which picks up immediately following the events at the conclusion of RITE HERE RITE NOW. Watch the new chapter HERE.

U.S. TICKETS: Tickets for the U.S. dates will be available starting with a Citi presale (details below) beginning Tuesday, October 29 at 10am local time. The artist presale will begin Tuesday, October 29 at 12pm local time. Additional presales will run throughout the week ahead of the general onsale beginning Friday, November 1 at 10am local time at ghost-official.com.

Citi is the official card of the 2025 GHOST World Tour. Citi cardmembers will have access to presale tickets for US markets beginning Tuesday, October 29 at 10am local time until Thursday, October 31 at 10pm local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

EUROPE/UK TICKETS: Tickets for the EU/UK dates will be available starting with a Mastercard presale in select markets (details below) beginning Tuesday, October 29 at 10am local time. An artist presale will begin Tuesday, October 29 at 12pm local time in all markets. Additional presales will run throughout the week ahead of the general onsale beginning Thursday, October 31 at 10am in Germany, France, Poland, Spain, Italy, Belgium and at Friday, November 1 at 10am local time in the UK, Portugal, Switzerland, Czech Republic, Netherlands, Denmark, Finland, Sweden, and Norway at ghost-official.com.

MASTERCARD PRESALE: Mastercard cardholders have special access to presale tickets in Belgium, Finland, Sweden, Norway, Italy, France, Netherlands and Denmark. Mastercard Presales start from Tuesday 29th October at 10am local time. Plus, Preferred ticket access to tickets are available in the UK from Friday 1st November 10am local time. Check out priceless.com/music for details.

MEXICO TICKETS: Tickets for Mexico will be available starting with an artist presale beginning Tuesday, October 29 at 12pm local time. Additional presales will run throughout the week ahead of the general onsale beginning Monday, November 4 at 11am local time.

GHOST WORLD TOUR 2025 DATES:

Tue Apr 15 – Manchester, UK – AO Arena
Wed Apr 16 – Glasgow, UK – OVO Hydro
Sat Apr 19 – London, UK – The O2
Sun Apr 20 – Birmingham, UK – Utilita Arena
Tue Apr 22 – Antwerp, BE – Sportpaleis
Wed Apr 23 – Frankfurt, DE – Festhalle Frankfurt
Thu Apr 24 – Munich, DE – Olympiahalle
Sat Apr 26 – Lyon, FR – LDLC Arena
Sun Apr 27 – Toulouse, FR – Zénith Toulouse Métropole
Tue Apr 29 – Lisbon, PT – MEO Arena
Wed Apr 30 – Madrid, ES – Palacio Vistalegre
Sat May 3 – Zürich, CH – Hallenstadion Zürich
Sun May 4 – Milan, IT – Unipol Forum
Wed May 7 – Berlin, DE – Uber Arena
Thu May 8 – Amsterdam, NL – Ziggo Dome
Sat May 10 – Lodz, PL – Atlas Arena
Sun May 11 – Prague, CZ – O2 Arena
Tue May 13 – Paris, FR – Accor Arena
Wed May 14 – Oberhausen, DE – Rudolf Weber-ARENA
Thu May 15 – Hannover, DE – ZAG Arena
Sat May 17 – Copenhagen, DK – Royal Arena
Tue May 20 – Tampere, FI – Nokia Arena
Thu May 22 – Linköping, SE – Saab Arena
Fri May 23 – Sandviken, SE – Göransson Arena
Sat May 24 – Oslo, NO – Oslo Spektrum
Wed Jul 09 – Baltimore, MD – CFG Bank Arena
Fri Jul 11 – Atlanta, GA – State Farm Arena
Sat Jul 12 – Tampa, FL – Amalie Arena
Sun Jul 13 – Miami, FL – Kaseya Center
Tue Jul 15 – Raleigh, NC – Lenovo Center
Thu Jul 17 – Cleveland, OH – Rocket Mortgage FieldHouse
Fri Jul 18 – Pittsburgh, PA – PPG Paints Arena
Sat Jul 19 – Philadelphia, PA – Wells Fargo Center
Mon Jul 21 – Boston, MA – TD Garden
Tue Jul 22 – New York, NY – Madison Square Garden
Thu Jul 24 – Detroit, MI – Little Caesars Arena
Fri Jul 25 – Louisville, KY – KFC Yum! Center
Sat Jul 26 – Nashville, TN – Bridgestone Arena
Mon Jul 28 – Grand Rapids, MI – Van Andel Arena
Tue Jul 29 – Milwaukee, WI – Fiserv Forum
Wed Jul 30 – St. Louis, MO – Enterprise Center
Fri Aug 01 – Rosemont, IL – Allstate Arena
Sat Aug 02 – Saint Paul, MN – Xcel Energy Center
Sun Aug 03 – Omaha, NE – CHI Health Center
Tue Aug 05 – Kansas City, MO – T-Mobile Center
Thu Aug 07 – Denver, CO – Ball Arena
Sat Aug 09 – Las Vegas, NV – MGM Grand Garden Arena
Sun Aug 10 – San Diego, CA – Viejas Arena
Mon Aug 11 – Phoenix, AZ – Footprint Center
Thu Aug 14 – Austin, TX – Moody Center
Fri Aug 15 – Fort Worth, TX – Dickies Arena
Sat Aug 16 – Houston, TX – Toyota Center
Wed Sep 24 – Mexico City, MX – Palacio de los Deportes

About GHOST

Accumulating nearly 10 billion streams, GRAMMY-winning Swedish theatrical rock band and global sensation GHOST continues to bring the “euphoric spectacle” (ROLLING STONE) of its live shows to ever-growing crowds, most recently on last year’s triumphant RE-IMPERATOUR U.S.A. 2023, which hit more than two dozen North American cities before its two-night finale at the Kia Forum in Los Angeles. In March 2022, THE LOS ANGELES TIMES reported in a Calendar cover story that GHOST had “conquered metal and the charts” when its fifth album IMPERA debuted at #1 in a sweep of the U.S. album charts, entering the BILLBOARD 200 at #2 and bowing at #1 in the band’s native Sweden, Germany and Finland, while cracking the top 5 in another half dozen or more countries. Featuring “Spillways”—hailed as a “sweetly constructed rock tune” by THE NEW YORK TIMES and later reimagined with Joe Elliott of Def Leppard—and the GRAMMY-nominated “Call Me Little Sunshine,” GHOST’s fifth #1 at Active Rock radio—IMPERA moved ROLLING STONE to remark, “GHOST predicted the pandemic, now the metal band is foretelling the fall of empires.” The album presented the most current and topical GHOST subject matter to date set against a darkly colorful melodic backdrop making IMPERA a listen like no other—yet unmistakably, quintessentially GHOST. Having closed out 2022 by cracking the Billboard Hot 100 for the first time, with the RIAA platinum-certified “Mary on a Cross,” as well as IMPERA winning Favorite Rock Album at the American Music Awards and Best Rock Album of the Year at the iHeartRadio Music Awards, GHOST unveiled PHANTOMIME, a five-song covers EP including the version of Iron Maiden’s “Phantom of the Opera” that earned the band its fifth GRAMMY nomination. Most recently, GHOST’s seemingly limitless ambition took the band to the silver screen with the June 2024 theatrical premiere of the feature film RITE HERE RITE NOW. Moving THE LOS ANGELES TIMES to rave “As far as live acts go, they’re one of the best in the business — and now they have the movie to prove it,” RITE HERE RITE NOW quickly became the highest grossing hard rock cinema event in North American history, and spawned a chart-topping soundtrack album. From devoted disciples to the curious uninitiated, the GHOST live ritual experience has seen audiences all over the world turning off their phones and living in the moment—completely spellbound and in the thrall of GHOST.

AMYL AND THE SNIFFERS

2025 NORTH AMERICAN TOUR DATES ANNOUNCED

NEW ALBUM CARTOON DARKNESS OUT TODAY VIA B2B RECORDS / VIRGIN MUSIC GROUP

“[5/5] Frank, fearless, funny and fucking fantastic”––KERRANG

“Their best…cartoon-bright, bad-mouthed, and very, very funny… We get rage, angst, love and loss, expressed through a band who are getting a little older and a little better as they go.”––PASTE

“Iconic…characterized by an admirable confidence and a fuck you attitude that they’ve mastered over the years…they balance bringing fun and laughter into the world in the face of so much evil and terror, and on a sonic level, find a balance between maintaining a sound and harnessing experimentation”––NEW NOISE MAGAZINE

Amyl and The Sniffers commemorate the release of their hotly anticipated third album Cartoon Darkness, out now via B2B Records / Virgin Music Group, with the announcement of a full scale North American headlining tour. Beginning March 25, 2025 in Portland, OR, the Australian garage punk quartet will bring the unmistakable roar that “has begun to speak on behalf of a generation of people seeking stability and joy in a world of increasing imbalance” (PASTE) to more than 20 cities spanning the U.S. and Canada before concluding May 23, 2025 in Nashville, TN.

The new dates will mark the return of Amyl and The Sniffers to North America for the first time since their triumphant summer spent slaying crowds from sold-out headlining club and theater gigs––including a two-night blowout at the Fonda Theater in Los Angeles––to stadium shows as special guests of Foo Fighters, which included stops at New York’s Citi Field and Boston’s Fenway Park. Amyl and The Sniffers will head out next month on their sold out UK and EU tour, which will feature their biggest ever headline show at London’s Alexandra Palace. Tickets are on sale November 1 at 10am local time. Sign up for presale access today at amylandthesniffers.com/shows. Presales start Wednesday October 30 at 10am local time. Grab tickets HERE to experience what critics and audiences alike have furiously declared as:

“One of the most thrilling live acts in the scene today” ––MXDWN

“Stellar” ––CONSEQUENCE

“A lightning bolt of raw punk energy” ––SF GATE

“Kinetic, explosive” ––WXPN

“Absolutely balls-to-the-wall show…Amy Taylor herself is a force of nature, a hurricane building off the coast ready to wreak havoc on all that she encounters.” – 303 Magazine

2025 NORTH AMERICAN TOUR DATES

Tue 3/25/25 – PORTLAND, OR – McMenamins Crystal Ballroom
Wed 3/26/25 – VANCOUVER, BC – The Commodore Ballroom
Thu 3/27/25 – SEATTLE, WA – Paramount Theatre
Sun 3/30/25 – SALT LAKE CITY, UT – Rockwell at The Complex
Mon 3/31/25 – DENVER, CO – Mission Ballroom
Wed 4/2/25 – KANSAS CITY, MO – Uptown Theater
Fri 4/4/25 – DALLAS, TX – House of Blues Dallas
Sat 4/5/25 – AUSTIN, TX – Stubb’s Waller Creek Amphitheater
Sun 4/6/25 – HOUSTON, TX – White Oak Music Hall
Mon 4/7/25 – SAN ANTONIO, TX – Paper Tiger
Wed 5/7/25 – ST. PAUL, MN – Palace Theatre
Thu 5/8/25 – CHICAGO, IL – The Salt Shed
Fri 5/9/25 – MADISON, WI – The Sylvee
Sat 5/10/25 – ROYAL OAK, MI – Royal Oak Music Theatre
Mon 5/12/25 – TORONTO, ON – History
Tue 5/13/25 – CLEVELAND, OH – Agora Theatre
Thu 5/15/25 – NEW YORK, NY – The Rooftop at Pier 17
Fri 5/16/25 – PHILADELPHIA, PA – Franklin Music Hall
Sat 5/17/25 – BOSTON, MA – Roadrunner
Mon 5/19/25 – SILVER SPRING, MD – The Fillmore Silver Spring
Wed 5/21/25 – RALEIGH, NC – The Ritz
Thu 5/22/25 – ATLANTA, GA – The Eastern
Fri 5/23/25 – NASHVILLE, TN – Marathon Music Works

GHOST
RITE HERE RITE NOW
4K, Blu-Ray, DVD, VHS Available for Pre-Order
Now Streaming at VEEPS, Available to Pre-Order for Purchase or Rental via iTunes and Amazon

By Popular Demand the #1 Hard Rock Cinema Event in US History Comes to Home Video December 6

The prayers of the legions of the GHOST faithful have been answered: On December 6, the physical home video release of the band’s worldwide Top 10 box office smash feature film debut RITE HERE RITE NOW will bring its mesmerizing live ritual to your living room.

Following a rapturously received global streaming premiere, RITE HERE RITE NOW is now available for pre-order on DVD, BluRay, 4K and VHS — to stream at VEEPS, and to pre-order for purchase or rental in advance of its October 28 digital release via iTunes and Amazon. The film captures all songs played during GHOST’s now-legendary sold out two-night stand at L.A.’s Kia Forum — including tracks not on its #1-charting soundtrack album — while proving to be much more than a mere concert film: Stunning performance footage is interwoven with a narrative that develops and advances plot threads from the band’s long-running Chapters webisode series, featuring familiar faces interacting behind the scenes with GHOST’s Papa IV, as his future and fate rest with the Ministry.

For more information, go to https://ghost-official.com/

AMYL AND THE SNIFFERS

ANNOUNCE NEW TRACK “JERKIN”

WATCH PHC DIRECTED VIDEO HERE

Photo by John Angus Stewart 2024 @phcfilms

“Amyl & The Sniffers have released the album of the Year”––Clash

“Smart, funny, characterful, there’s virtually nothing not to like about this record”––Mojo

“Cartoon Darkness sees them poised for the Big Time, one of the best albums of the year”––NME

“A level-up in every way” ––Brooklyn Vegan (43 Albums We’re Anticipating for Fall 2024)

“A layered approach to the world’s current status…kicking the door open to the band’s new era”––Grammy.com (15 Must-Hear Albums in October)

Amyl and The Sniffers are pleased to share “Jerkin,” the final track and video to be released in advance of their forthcoming third album Cartoon Darkness, out this Friday, October 25^th 2025 via B2B Records / Virgin Music Group.

Following the previously released “jubilant slow-burn of victory” (PASTE Best New Songs) “Big Dreams,” “Jerkin” is the third single off the forthcoming album named Hottest Record on BBC Radio 1––this is alongside 2 x Radio 1 playlists and 3 x 6 music A lists, as well as Top 10 album and single on the SubModern radio chart in the U.S.

The new X-Rated video was directed by long-time Sniffers collaborator John Angus Stewart of PHC Films. While a censored version will appear on streaming platforms, the full, uncensored version is only available to watch on amylandthesniffers.com (for viewers 18 and older only).

Amy Taylor on “Jerkin”
“It’s good to express your anger when someone’s been pissing you off and it’s good to have humor in life, especially as a woman, when you’re meant to just passively say ‘everything’s good’ to keep everyone else comfortable. The best part about this song is that a squirter can be anybody’s genitals. I wanted to write a song to big-up “the self” while putting down the “other” because sometimes, even if it’s just for a small window, that’s the best way to laugh something off and empower yourself. World’s pissing me off and breaking my heart more than ever right now, might as well poke it back. It’s pointless but it’s cathartic.”

Director John Angus Stewart
“The level of offense that a vagina or penis can generate is absolutely bizarre. Once, Amy said to me, “If the world wasn’t so fucked up, I’d never wear clothes.” It’s the context we stamp onto our sex organs that makes them innately “offensive.” This is why we wanted to strip away the artifice and examine the body in an open, conversational way. We approached the project as if it were a performance in itself. From concept to crewing to casting, we (the production) let the project evolve in the most natural way possible, allowing our subjects to dictate their level of input based on their comfort on the day. We were learning what it was as we were making it, which is basically the opposite approach I’m used to. But because this idea was driven by people’s personalities, it felt wrong to do it any other way. We just kept pulling things further and further back until we were left with just a white wall and the human body. I want to come out of everything I do with a different perspective. Just as one’s perspective changes with an Amyl song, I want to change in the same way. I think we all walked away from the shoot with an innate need to be less prudish and give less of a shit.”

In addition to the explosive new single and video for “Jerkin,” the band has kicked off an exciting release week with an astounding 150 listening parties all across the U.S. at local indie retailers. Having already conquered North America with a slew of dates ranging from sold-out headlining club and theater gigs––including a two-night blow out at the Fonda Theater in Los Angeles––to stadium shows as special guests of Foo Fighters, which included stops at New York’s Citi Field and Boston’s Fenway Park, Amyl and The Sniffers will head out next month on their sold out UK and EU tour. The band has also confirmed their biggest ever headline show at London’s Alexandra Palace, tickets now on sale.

UK 2024/ 2025

NOV 5TH – DUBLIN – NATIONAL STADIUM SOLD OUT
NOV 6TH – GLASGOW – 02 ACADEMY SOLD OUT
NOV 7TH – NEWCASTLE UPON TYNE – NX SOLD OUT
NOV 9TH – MANCHESTER – MANCHESTER ACADEMY SOLD OUT
NOV 10TH – BIRMINGHAM 02 – ACADEMY SOLD OUT
NOV 11TH – BRISTOL – 02 ACADEMY SOLD OUT
NOV 13TH – LONDON – ROUNDHOUSE SOLD OUT
NOV 14TH – LONDON – ROUNDHOUSE SOLD OUT
NOV 15TH – LONDON – ROUNDHOUSE SOLD OUT

JULY 5 – 2025 – LONDON – FINSBURY PARK SUPPORTING FONTAINES DC
NOV 15 – 2025 – LONDON ALEXANDRA PALACE

amylandthesniffers.com | Facebook | Instagram

ST. VINCENT RELEASES “PULGA” A NEW SPANISH LANGUAGE VERSION OF “FLEA”

Photo credit: David William Baum

Listen To “Pulga” Second Single Released in Advance of Todos Nacen Gritando

Todos Nacen Gritando, The New Spanish-Language Version Of Her Wildly Acclaimed Album All Born Screaming, Will Be Released November 15th

Read St. Vincent’s Rolling Stone Interview About The Inspiration Behind The New Project

St. Vincent’s World Tour Heads To Spain Next Week; She Is Also Set To Play Mexico City’s Corona Capital (November 16) And Bogota’s Estéreo Picnic (March 27-30, 2025)

“Serás mío para eternidad.”

So states St. Vincent with fiery resolve on “Pulga,” the second single to preview the upcoming album Todos Nacen Gritando. Featuring St. Vincent on vocals and all instruments except drums and bass—handled respectively by Dave Grohl and Justin Meldal-Johnsen—“Pulga” is raw desire made manifest atop a foundation of thundering grooves and searing guitar figures.

In a completely unexpected move, St. Vincent translated her entire All Born Screaming album into Spanish. The Spanish language album Todos Nacen Gritando will be released November 15 via Total Pleasure Records in partnership with Virgin Music Group.

The echoes of tens of thousands of fans chanting her lyrics across Latin America and Spain moved Annie Clark to pay tribute to her Spanish-speaking fans and the Spanish language she loves so much. “It was really inspiring,” she says, recalling experiences like the crowd reaction to her set at Primavera Sound 2023. “At the end, I asked myself, ‘If they’re able to sing in a second or third language, why can’t I do the same thing?”

That is how Todos Nacen Gritando’was born. Clark herself, who has recently honed her Spanish language skills, defines this meticulous reinterpretation as one of the biggest challenges of her musical career: “It’s been a much more complicated process than anything I’ve done before.”

No small statement for an artist with a 17 year music career and 3 Grammy awards including “Best Rock Song” in 2019 and “Best Alternative Music Album” in 2015 and 2022. She has co-produced previous St. Vincent albums with Jack Antonoff and collaborated with artists from Taylor Swift to David Byrne. St. Vincent fronted Nirvana for their induction into the Rock & Roll Hall of Fame, was selected by Paul McCartney to contribute to his ‘III-Imagined‘ album and invited to play live with Metallica.

“What surprises me is that music is not separated from life in Latin America. In the United States everything is commercialized, music is a commodity, an accessory. But in Latin America music is life itself, and you can feel that.” This reflection by Clark makes even more sense when life, death, loss and love were the main themes of the album All Born Screaming, lauded by critics for its emotional and musical rawness.

The stark nature of the album —her first fully self-produced record— found in Spanish a way to enhance its visceral original vocal performances. “There are things that I sing in Spanish that maybe I would feel self-conscious singing in English because they feel so sincere… it was a fascinating experience to find how to convey the feeling, but also discover a new way through words,” she explains.

To ensure both emotional and linguistic accuracy, St. Vincent enlisted the translation skills of her best friend and occasional collaborator, Alan del Río Ortiz, “Alan has been my friend since we were 15, we grew up together. He would translate the songs and then we would go over them.” Ortiz played a crucial role in retaining the passion and sentiment of the original material while transposing it all into another language. “Sometimes he would tell me, ‘That’s not a Spanish expression, you could say this or that.’ So we would look for other ways of saying things.”

This tribute to her Spanish-speaking fans is, in a sense, a natural outcome for Clark, who spent much of her early life in Texas. Growing up with Almodovar’s films as a child, confronting the revelatory darkness of Goya’s paintings at the Prado Museum in Madrid, “tasting the best food in life” in Mexico City, dawning on New Year’s Day dancing cumbias on the beaches of Merida, or getting lost among the streets of Buenos Aires, are memories that have become fixed in her head and heart, substantial in weaving her unique relationship with Spain and Latin America.

Latin American music has also been a vital part of this relationship. “I’m a big fan of Bomba Estéreo and Calle 13. I also love Rosalía and Arca. Brazilian music too, like Caetano Veloso. It’s the best…it’s different from how it feels in the United States. It’s joyful, a real part of life,” Clark says.

AMYL AND THE SNIFFERS

“BIG DREAMS”

NEW SINGLE & VIDEO FROM CARTOON DARKNESS

FIRST NEW ALBUM IN THREE YEARS OUT OCTOBER 25, 2024

Listen HERE & Watch PHC Films-Directed Video HERE

Photo by John Angus Stewart 2024 @phcfilms

“Sometimes, you wonder: ‘Is this show gonna be as good as I hoped?’… Other shows you walk out dragging your jaw on the floor behind you, gesturing vaguely as you try to return to earth after having gotten blown clean out of the atmosphere… Amyl and the Sniffers are that band.” — THE PITCH

“One of the most exhilarating bands to emerge over the past decade” — CONSEQUENCE

Amyl and The Sniffers offer up a sweetly melodic new dimension of their sonic onslaught with “Big Dreams,” the newest advance offering from their upcoming third album Cartoon Darkness, out October 25 via B2B Records / Virgin Music Group.

Following in the footsteps of Pitchfork Hot Link / BBC Radio 1 Hottest Record “Chewing Gum” and Brooklyn Vegan / Consequence / Paper / Paste / Under the Radar Song of the Week “U Should Not Be Doing That,” “Big Dreams” is shot through with a previously unheard vulnerability, one that hints at the new heights and depth achieved on Cartoon Darkness. Speaking on how exactly Amyl and The Sniffers crafted the closest they’ve ever come to a straight-up ballad, singer Amy Taylor said:

“I am writing this before ‘Big Dreams’ comes out, and I am actually a bit nervous that it’s a single, because it’s so different from a lot of people’s expectations of us. This song was written because a lot of people in my life are struggling financially, and it’s really hard to make your dreams come true when you’re trying to get by day-to-day. But when I think of my friends doing what they love, and I see how good they are at it, I just know they’ve never been dull, they’ve always been lit, and there’s nothing that will break that or take it away from them.

The video we shot in the desert, it was the first clip we shot for this album, and it was fun as hell.”

The “Big Dreams” video can be seen at https://youtu.be/ipZSqcFA0Z0. Directed by PHC Films and shot in one continuous take, the epic clip sees the song’s sublime strains serving as soundtrack for the band’s quasi-apocalyptic desert motorcycle ride.

Cartoon Darkness was recorded with producer Nick Launay (Nick Cave & The Bad Seeds, Yeah Yeah Yeahs) at Foo Fighters’ 606 Studios in Los Angeles in early 2024. The album will be available in multiple formats, including limited edition glow in the dark vinyl with alternate artwork.

Having spent the summer in North America ricocheting between stadium supports and a sold-out headline tour, Amyl and The Sniffers will embark on a UK / EURO tour in November, and will be main support for Fontaines D.C. at Finsbury Park on July 5th, 2025.

UK / EURO DATES BELOW 2024 / 2025

NOV 5TH – DUBLIN – NATIONAL STADIUM
NOV 6TH – GLASGOW – 02 ACADEMY (SOLD OUT)
NOV 7TH – NEWCASTLE UPON TYNE – NX (SOLD OUT)
NOV 9TH – MANCHESTER – MANCHESTER ACADEMY (SOLD OUT)
NOV 10TH – BIRMINGHAM 02 – ACADEMY
NOV 11TH – BRISTOL – 02 ACADEMY (SOLD OUT)
NOV 13TH – LONDON – ROUNDHOUSE (SOLD OUT)
NOV 14TH – LONDON – ROUNDHOUSE (SOLD OUT)
NOV 15TH – LONDON – ROUNDHOUSE (SOLD OUT)
NOV 17TH – BRUSSELS – ANCIENNE (SOLD OUT)
NOV 18TH – UTRECHT – TIVOLIVREDENBERG (SOLD OUT)
NOV 19TH – COLOGNE – CARLSWERK VICTORIA (SOLD OUT)
NOV 21ST – COPENHAGEN – VEGA (SOLD OUT)
NOV 22ND – HAMBURG – GROBE FREIHEIT 36 (SOLD OUT)
NOV 23RD – BERLIN – COLUMBIAHALLE (SOLD OUT)
NOV 25TH – MUNICH – TONHALLE
NOV 26TH – LAUSANNE – LES DOCKS
NOV 27TH – PARIS – OLYMPIA
NOV 29TH – ATHENS – FLOYD

JULY 5TH – LONDON – FINSBURY PARK SUPPORTING FONTAINES DC

ST. VINCENT
TODOS NACEN GRITANDO
SPANISH LANGUAGE ALBUM OUT NOVEMBER 15

First Single “Hombre Roto” Out Now

In a move as unprecedented as it is unexpected, St. Vincent will release Todos Nacen Gritando, a Spanish language version of her wildly acclaimed All Born Screaming album November 15 via Total Pleasure Records in partnership with Virgin Music Group.

St. Vincent explains the inspiration behind Todos Nacen Gritando, as well as how the equilibrium between accuracy of translation and intensity of performance was achieved — with the invaluable aid of Alan Del Rio Ortiz:

“The origins of Todos Nacen Gritando can be traced back to some of the most memorable shows I’ve ever played, in Mexico, South America and recently Primavera Barcelona in 2023. Though separated by time and geography, and across a diverse range of settings and venues, these crowds were united in their passion—singing every word to every song in perfect English. It was truly inspiring. Eventually, I asked myself: If they can sing along in a second or third language, why can’t I meet them halfway? So I enlisted my best friend and occasional collaborator Alan Del Rio Ortiz to work on translating these lyrics, tweaking here and there for melodic reasons, making every effort to stay true to the song at hand without sacrificing accuracy. After much rewriting and re-singing every vocal track on the album, the result is Todos Nacen Gritando, equal parts labor of love and tribute to the people who inspired it.”

The album’s release is preceded by first single “Hombre Roto,” a Spanish language version of All Born Screaming standout and current live highlight “Broken Man.” As with all 10 songs on Todos Nacen Gritando, “Hombre Roto” finds Annie Clark a/k/a St. Vincent belting en Espanol while sacrificing none of the “volcanic buildup” (The New York Times) of the original.

Todos Nacen Gritando features St. Vincent’s fiery new vocal tracks atop the foundation of the “satisfyingly urgent” (Rolling Stone) original album, as recorded with the stellar roster of Rachel Eckroth, Josh Freese, Dave Grohl, Mark Guiliana, Cate Le Bon, Justin Meldal-Johnsen, Stella Mogzawa and David Ralicke — and produced by St. Vincent and mixed by Cian Riordan.

Photo credit: David William Baum

LCD SOUNDSYSTEM
ANNOUNCES 2024 NYC RESIDENCY

12 shows over three weekends at Knockdown Center
November 21, 22, 23, 24
December 5, 6, 7, 8
December 12, 13, 14, 15

Tickets On Sale to the Public Thursday, September 26 at 10:00 a.m. ET
Information re: Tickets, Presales and More at youarehere.bowerypresents.com

Following sold out residencies in 2021, 2022 and 2023, LCD Soundsystem has announced its return with an update: The band’s 2024 NYC residency will consist of 12 shows over three weekends at Knockdown Center in Queens. After last year’s successful run of shows at the venue, the 2024 residency will further explore the potential of the Knockdown space, expanding to include a variety of live openers, nightly afterparties featuring DJ sets from special guests, a DFA Records swap meet, an on-site iteration of the Michelin-starred Four Horsemen wine bar, and more.

Tickets for all 12 shows will go on-sale to the general public beginning Thursday, September 26 at 10:00 a.m. ET. via AXS.com. Visit youarehere.bowerypresents.com for presale details and further information.

American Express is providing access to Amex Presale Tickets™, available for Card Members to purchase before the general public beginning Tuesday, September 24th at 10 am local through Wednesday, September 25th at 10 pm local (or while supplies last) – this is one of the many entertainment benefits American Express Card Members can access across the arts, theater, sports and music through Amex Experiences™.

LCD Soundsystem 2024 NYC residency dates at Knockdown Center are as follows:- Thursday, November 21
– Friday, November 22
– Saturday, November 23
– Sunday, November 24

– Thursday, December 5
– Friday, December 6
– Saturday, December 7
– Sunday, December 8

– Thursday, December 12
– Friday, December 13
– Saturday, December 14
– Sunday, December 15

LCD Soundsystem’s returning residency is produced by The Bowery Presents, as part of the company’s 20th anniversary celebration. As Bowery celebrates 20 years, American Express has been a proud partner of The Bowery Presents for over 15 years by providing presale ticket access and perks at select The Bowery Presents events.

ABOUT THE BOWERY PRESENTS
The Bowery Presents, an AEG Presents company, is the leading East Coast concert promoter, whose mission is to bring the best artists to New York City, Boston, Philadelphia and beyond while providing an excellent concert experience for both fans and artists. Celebrating its 20th anniversary in 2024, The Bowery Presents has been a purveyor of true artist development and consistently strives to work with artists like LCD Soundsystem, Brandi Carlile, Tyler, The Creator, Sam Smith, The White Stripes, Khruangbin, Tyler Childers, Leon Bridges and Lake Street Dive to grow from performing in intimate clubs to performing in sold-out arenas. As a trusted industry tastemaker, The Bowery Presents produces dynamic entertainment experiences at dozens of venues nationally, presenting thousands of shows annually. More information can be found at www.bowerypresents.com.

ABOUT AEG PRESENTS
Combining the power of the live event with a focus on true artist development, AEG Presents is a world leader in the music and entertainment industries. Operating across three continents, the company has an unparalleled commitment to artistry, creativity, and community. Its tentpole festivals and multi-day music events — which include the iconic Coachella Valley Music & Arts Festival and the legendary New Orleans Jazz & Heritage Festival alongside British Summer Time at Hyde Park, Stagecoach, Hangout Festival, Electric Forest, and Firefly — continue to set the bar for the live music experience. AEG Presents promotes global tours for artists such as The Rolling Stones, Ed Sheeran, Elton John, Taylor Swift, Celine Dion, Justin Bieber, BTS, Kenny Chesney, Paul McCartney, and Katy Perry, in addition to — through its network of clubs, theatres, arenas, stadiums and renowned partner brands such as Goldenvoice, Messina Touring Group, Concerts West, The Bowery Presents, PromoWest Productions, Marshall Arts, Madison House Presents, and Zero Mile Presents — creating and developing an unmatched infrastructure for artist development and audience reach. More information can be found at www.aegpresents.com.

METALLICA
M72 WORLD TOUR
2025 NORTH AMERICAN DATES ANNOUNCED

Pantera, Limp Bizkit, Suicidal Tendencies and Ice Nine Kills to Support

General On Sale September 27 at 10am Local Time
Pre-Sales, Enhanced Experiences, Travel Packages, Further Information HERE

Photo Credit: Ross Halfin

Metallica has confirmed that its record-breaking M72 World Tour will be extended into a third year, with the announcement of 21 North American shows spanning April, May and June 2025.

Two-night tickets for the newly announced No Repeat Weekends and tickets for the single-night engagements will be on sale September 27 at 10am local time. Fan club pre-sales begin September 23 at 10am local time. For further information, enhanced experiences, travel packages and more, go to https://metallica.lnk.to/M72WorldTour2025

Since opening April 2023 in Amsterdam, M72 has seen Metallica play to some three million fans. Variously hailed as “an altogether life-affirming experience” (Billboard), “impossible to leave unsatisfied” (Austin Chronicle), “a stone-cold stunner of a show” (Detroit News), “the mother of all summer concerts” (Worcester Telegram Gazette) and “as tight and furious as Metallica has sounded in ages” (Los Angeles Times), M72 continues to amaze fans and critics alike. The tour will conclude its triumphant 2024 run with four nights at Mexico City’s Estadio GNP Seguros, where Metallica will play to more than 250,000 fans over the course of two No Repeat Weekends.

The M72 World Tour’s 2025 itinerary will continue the hallowed No Repeat Weekend tradition, with each night of the two-show stands featuring entirely different setlists and support lineups. These will include the band’s first Nashville shows in five years on May 1 and 3 at Nissan Stadium, as well as Metallica’s return to Tampa after 15 years on June 6 and 8 at Raymond James Stadium. M72 has also confirmed its much anticipated Bay Area hometown play, to take place June 20 and 22 with the band’s debut performances at Levi’s Stadium in Santa Clara.

In a new twist, M72 2025 will feature several single shows bringing the tour’s full production, with its massive in-the-round stage, to venues including two college football stadiums: JMA Wireless Dome in Syracuse, New York on April 19, and Metallica’s first ever visit to Blacksburg, Virginia, home of the Virginia Tech Hokies. The May 7 show at Lane Stadium will mark the culmination of 20+ years of “Enter Sandman” playing as the Hokies take the field.

In addition to playing football stadiums across the nation, the M72 World Tour’s 2025 itinerary will also include two festival headlines—the first being the opening night of the run April 12 at Sick New World at the Las Vegas Festival Grounds. May 9 and 11 will then mark a festival/No Repeat Weekend combo as Metallica plays two headline sets at Sonic Temple at Historic Crew Stadium in Columbus, Ohio.

Support on M72’s 2025 North American run will come from Pantera, Limp Bizkit, Suicidal Tendencies and Ice Nine Kills. See below for specifics.

Additionally, M72 2025 will see Metallica’s long-awaited return to Australia and New Zealand. Stay tuned to https://www.metallica.com/ for further announcements.

M72’s 2025 North American leg is produced by Live Nation and presented by new sponsor inKind. inKind rewards diners with special offers and credit back when they use the app to pay at 2,000+ top-rated restaurants nationwide. The company provides innovative financing to participating restaurants in a way that enables new levels of sustainability and success. Metallica fans can learn more at inkind.com.

Citi is the official card of the M72 tour. Citi cardmembers will have access to presale tickets beginning Tuesday, September 24 at 10am local time until Thursday, September 26 at 10pm local time through the Citi Entertainment program. For complete presale details visit www.citientertainment.com.

Verizon will offer an exclusive presale for the M72 tour in the U.S through Verizon Access, just for being a customer. Verizon Access Presale tickets for select shows will begin Tuesday, September 24 at 10am local time until Thursday, September 26 at 10pm local time. For more details visit Verizon.com/Access.

* Citi and Verizon presales will not be available for Sick New World, Sonic Temple or the Toronto dates. Verizon presale will not be available for the Nashville, Blacksburg or Landover shows.

As always, a portion of proceeds from every ticket sold will go to local charities via the band’s All Within My Hands foundation. Established in 2017 as a way to give back to communities that have supported Metallica over the years, All Within My Hands has raised over $15 million – providing $8.2 million in grants to career and technical education programs including the ground-breaking Metallica Scholars Initiative, now in its sixth year, over $3.6 million to combat food insecurity, more than $3.5 million to disaster relief efforts.

METALLICA
M72 WORLD TOUR
North America 2025

April 12 Las Vegas, NV Sick New World @ Las Vegas Festival Grounds
April 19 Syracuse, NY JMA Wireless Dome *
April 24 Toronto, ON Rogers Centre *
April 26 Toronto, ON Rogers Centre +
May 1 Nashville, TN Nissan Stadium *
May 3 Nashville, TN Nissan Stadium +
May 7 Blacksburg, VA Lane Stadium *
May 9 Columbus, OH Sonic Temple @ Historic Crew Stadium
May 11 Columbus, OH Sonic Temple @ Historic Crew Stadium
May 23 Philadelphia, PA Lincoln Financial Field +
May 25 Philadelphia, PA Lincoln Financial Field *
May 28 Landover, MD Northwest Stadium *
May 31 Charlotte, NC Bank of America Stadium *
June 3 Atlanta, GA Mercedes-Benz Stadium *
June 6 Tampa, FL Raymond James Stadium +
June 8 Tampa, FL Raymond James Stadium *
June 14 Houston, TX NRG Stadium *
June 20 Santa Clara, CA Levi’s Stadium +
June 22 Santa Clara, CA Levi’s Stadium *
June 27 Denver, CO Empower Field at Mile High +
June 29 Denver, CO Empower Field at Mile High *

* Pantera and Suicidal Tendencies support
+ Limp Bizkit and Ice Nine Kills support

THE POSTAL SERVICE SAYS GOODBYE

FINAL 2024 LIVE DATE AT HFSTIVAL THIS SATURDAY, SEPTEMBER 21

“As we bring the Transatlanticism / Give Up Tour to a close, I want you all to know that getting the opportunity to perform these two albums live has been one of the greatest thrills and honors of my entire life. On behalf of Death Cab for Cutie and The Postal Service; Thank you so much for coming out and singing along. We will see you all again somewhere down the road.” – Benjamin Gibbard

The Postal Service has confirmed that the final date of the wildly successful and critically celebrated Transatlanticism / Give Up Tour — this Saturday, September 21 at HFStival in Washington DC — will mark the beginning of an indefinite hiatus for the band.

Since making their long awaited return to stages last September, The Postal Service have toured across North America, the UK and Spain, drawing nearly half a million fans to one unforgettable show after another — including a pair of sold-out shows at New York’s Madison Square Garden, three sold-out nights at the Hollywood Bowl in Los Angeles, and more recently, headlining the closing night of the All Points East festival in London.

“In the crowd, tears are shed, clusters of people dance, and memories are rekindled. The show as a whole serves as a reminder of Gibbard’s endurance, too.” – The Independent Extended into 2024 by popular demand, this extraordinary run celebrated the 20th anniversaries of both The Postal Service’s lone masterpiece Give Up and Death Cab for Cutie’s breakthrough Transatlanticism – two RIAA Platinum-certified indie classics released in 2003 within a mere eight months of one another, and created with a total recording budget of just $20k.

THE POSTAL SERVICE SHARE NEW SYLVAN ESSO REMIX OF “THE DISTRICT SLEEPS ALONE TONIGHT” VIA SUB POP

UK & EU 20TH ANNIVERSARY CO-HEADLINE TOUR DATES WITH DEATH CAB FOR CUTIE TO BEGIN TOMORROW

ALL POINTS EAST CO-HEADLINE SHOW TO TAKE PLACE THIS WEEKEND, SUNDAY 25TH AUGUST

DATES FOLLOW GROUNDBREAKING, CRITICALLY-ACCLAIMED 2023 ‘GIVE UP TRANSATLANTICISM’ US TOUR – ATTENDED BY OVER A QUARTER-MILLION FANS

FEATURING COMPLETE LIVE PERFORMANCES OF THE LANDMARK, RIAA PLATINUM-CERTIFIED 2003 ALBUMS – THE POSTAL SERVICE’s GIVE UP & DEATH CAB FOR CUTIE’S TRANSATLANTICISM

Today, The Postal Service have shared a brand-new remix of their fan-favorite track “The District Sleeps Alone Tonight” by multi-GRAMMY Award nominated electro-pop duo Sylvan Esso.

The track – which is taken from the band’s critically acclaimed album Give Up – comes ahead of their extended 20th anniversary co-headline ‘Give Up Transatlanticism’ tour with Death Cab for Cutie. This extraordinary live run celebrates the 20th anniversaries of each band’s seminal 2003 album, The Postal Service’s RIAA Platinum-certified Give Up and Death Cab for Cutie’s RIAA Platinum-certified breakthrough fourth studio LP Transatlanticism – two classics released within a mere eight months of one another, and created with a total recording budget of just $20k.

Speaking on the remix – which is released via Sub Pop – The Postal Service’s Jimmy Tamborello says, “I love Sylvan Esso and was excited to hear the song through their ears. It came out so good, big and tweaky and fun!”

Speaking on being asked to reimagine the track, Sylvan Esso say, “’The District Sleeps Alone Tonight’ was a formative song for both of us, Nick remembers hearing the promo copy spooling out of his car speakers while he delivered pizza – Amelia remembers hearing it in the back of someone’s van during her freshman lunch hour. Both of us thought the song touched something new then – and to be asked to reinterpret it now is an honor.”

LISTEN TO “THE DISTRICT SLEEPS ALONE TONIGHT (SYLVAN ESSO REMIX)” HERE

This week’s highly anticipated live dates include shows in Glasgow, Cardiff, and Barcelona (tickets available HERE), as well as their co-headline show at London’s All Points East (ft. The Decemberists, Yo La Tengo, Phoenix, The Lemon Twigs, Sleater-Kinney, Teenage Fanclub, Gossip + more) on 25th August, as well as Kalorama in Madrid, Spain, and Meo Kalorama in Lisbon, Portugal. Full dates outlined below. Support at the Glasgow and Cardiff dates comes from Teenage Fanclub and from The Kills in Barcelona.

The extension comes in response to massive demand from fans, following the joint tour’s critically acclaimed and wildly-successful US 2023 dates. That run was entirely sold-out and included back-to-back shows at NYC’s Madison Square Garden, three nights at LA’s Hollywood Bowl, and marquee dates in many other major cities – bringing 250k+ fans together at iconic arenas and amphitheatres across the US.

Benjamin Gibbard, co-founder of both bands, will continue to pull double duty on the 2024 dates, performing Give Up and Transatlanticism in full alongside his respective bandmates. “Few musicians have released two culture-shifting records in the span of a single year,” Pitchfork proclaimed within their glowing review of this fall’s first MSG show, “and even less have done it with two different musical outfits.”

“I know for a fact I will never have a year again like 2003. The Postal Service record came out, Transatlanticism came out. These two records will be on my tombstone, and I’m totally fine with that. I’ve never had a more creatively inspired year.”– Benjamin Gibbard

Ben also recently spoke with The Guardian for a career-spanning piece ahead of the live dates. Take a read HERE.

The Postal Service is comprised of Gibbard, Tamborello, and Jenny Lewis; Death Cab for Cutie is comprised of Gibbard, Nick Harmer, Dave Depper, Zac Rae, and Jason McGerr. All upcoming tour dates are enclosed below.

THE POSTAL SERVICE x DEATH CAB FOR CUTIE | CO-HEADLINE UK / EU TOUR DATES

AUGUST
23 – Glasgow, UK – OVO Hydro*
24 – Cardiff, UK – Utilita Arena*
25 – London, UK – All Points East Festival
27 – Barcelona, ES – Poble Espanyol^
29 – Madrid, ES – Kalorama Madrid
30 – Lisbon, PT – Meo Kalorama

*with special guest Teenage Fanclub
^with special guest The Kills

Limited guestlist available upon request

SELECTED PRESS FOR 2023’S ‘GIVE UP TRANSATLANTICISM’ TOUR:

“The Death Cab/Postal Service Tour Is Peak Millennial Nostalgia, in the Best Way” – PITCHFORK

“…a once-in-a-lifetime experience for indieheads.” – ALT PRESS

“It felt miraculous that the music sounded like a straight rip from my iPod, the steady climb of guitar and drums on Transatlanticism reaching the same sublime, deafening levels live.” – NYLON

“Dream Double Bill” – VARIETY

“…Gibbard’s longevity outshines many of his peers from that era, and the number of people that still pack large venues around the country to hear them only bolsters that take.” – UPROXX

“As soon as Death Cab walked onstage and Gibbard launched into singing ‘So this is the new year,’ it was obvious the emotional resonance of this material was as strong as ever.” – STEREOGUM

Photo Credit: Autumn de Wilde Photo Credit: Jimmy Fontaine

Formed in Bellingham, WA in 1997, Death Cab for Cutie immediately entered the ranks of the era’s most definitive bands, thanks in large part to the remarkable power of co-founder, vocalist, guitarist, and lead songwriter Ben Gibbard’s complex, often bittersweet songcraft. The band made their worldwide popular breakthrough with 2003’s RIAA Platinum-certified Transatlanticism, later named by NPR as one of “The Decade’s 50 Most Important Recordings.” Fueled by critical acclaim, an array of high profile soundtrack placements, and such hit singles as “The Sound of Settling” and “Title and Registration,” the album debuted among the upper half of the Billboard 200 – Death Cab for Cutie’s first ever entry on the overall chart. A 10th anniversary edition of Transatlanticism containing previously unheard demos and outtakes arrived in 2013, prompting NPR to write, “For all its ubiquity and imitators, Transatlanticism holds up as an exquisitely produced, largely flawless record in which every song is bound to serve as someone’s favorite.”

2003 also saw Gibbard and Los Angeles, CA-based multi-instrumentalist Jimmy Tamborello (Dntel, Figurine) unite as The Postal Service, a long distance collaboration named for their working method of exchanging tracks via the US Mail. The duo – joined by a number of friends including singer-songwriter Jenny Lewis – proved a phenomenon with the February 2003 release of their one and only studio LP, Give Up, earning worldwide applause and eventual RIAA Platinum certification thanks to infectious electro-pop smashes like “The District Sleeps Alone Tonight” (a top 3 sensation on Billboard’s “Hot Dance Singles” chart), “We Will Become Silhouettes” (which reached the top 3 on the Canadian Singles Chart), and of course, the magical RIAA Gold-certified “Such Great Heights.” The album’s stature continued to grow in the years following its original release, ultimately spending 19 non-consecutive weeks at #1 on Billboard’s “Top Electronic Albums” chart. In 2013, The Postal Service reunited to mark the 10th anniversary of Give Up with their biggest headline tour ever, along with top-billed performances at such international festivals as Coachella, Primavera Sound, Lollapalooza, and Sasquatch. In addition, a commemorative 10th anniversary edition of Give Up saw the singular collection expanded with 15 bonus tracks, including two brand new songs, “A Tattered Line of String” and “Turn Around.”

AMYL AND THE SNIFFERS

FIRST NEW ALBUM IN THREE YEARS CARTOON DARKNESS OUT OCTOBER 25, 2024

WATCH PHC FILMS DIRECTED VIDEO FOR LEAD TRACK “CHEWING GUM” HERE

Photo Credit: John Angus Stewart

“They left audiences slack-jawed” – The New Yorker

“Pure, uncut rock’n’roll fun.” – Pitchfork

“One of the most exhilarating bands to emerge over the past decade.” – Consequence

“Absolutely kick-ass” – The Needle Drop

Fresh off a run of North American shows ranging from stadium dates supporting Foo Fighters to a sold-out two-night finale at the Fonda in L.A., Amyl and The Sniffers are pleased to announce the release of their third album Cartoon Darkness. Set for release via B2B Records / Virgin Music Group on October 25th, the album was recorded with producer Nick Launay (Nick Cave & The Bad Seeds, Yeah Yeah Yeahs) at Foo Fighters’ 606 Studios in Los Angeles in early 2024. The album will be available in multiple formats, including limited edition glow in the dark vinyl with alternate artwork, and will feature lead track and BBC Radio 1 Hottest Record “Chewing Gum,” as well as previously released Brooklyn Vegan/Consequence/Paper/Paste/Under the Radar Song of the Week “U Should Not Be Doing That,” and no less than 11 more bangers that showcase the band’s quantum progression and boundless energy.

Singer Amy Taylor explains, “Cartoon Darkness is about climate crisis, war, AI, tiptoeing on the eggshells of politics, and people feeling like they’re helping by having a voice online when we’re all just feeding the data beast of Big Tech, our modern-day god. It’s about the fact that our generation is spoon-fed information. We look like adults, but we’re children forever cocooned in a shell. We’re all passively gulping up distractions that don’t even cause pleasure, sensation or joy, they just cause numbness.”

“Cartoon Darkness is driving headfirst into the unknown, into this looming sketch of the future that feels terrible but doesn’t even exist yet. A childlike darkness. I don’t want to meet the devil half-way and mourn what we have right now. The future is cartoon, the prescription is dark, but it’s novelty. It’s just a joke. It’s fun.”

Regarding lead track “Chewing Gum,” Taylor comments, “The adversity of life is desire never fulfilled. Doing the dishes cleaning, but never the one eating the meal, so close but it’s never enough, and trying to celebrate the ignorance of youth despite it being robbed away, so choosing ignorance, choosing to be dumb and choosing love, despite everything, choosing bad decisions for love, for life, because it is short, or is it long? Surrendering to joy, surrendering to being a vision, in your own power, because making decisions based on emotion rather than logic is liberating, and despite the external inferno, you walk away unscathed, through flames, burnt but only superficially, unstopped, unaffected, unhuman. Life is work, life is not free, we can never work enough because the end goal doesn’t exist, so all we can do is choose to be wrong.”Amyl and The Sniffers will be heading out on a UK / EURO tour in November and will be main support for Fontaines D.C. at Finsbury Park on July 5th, 2025.

UK / EURO DATES BELOW 2024 / 2025

NOV 5TH – DUBLIN – NATIONAL STADIUM
NOV 6TH – GLASGOW – 02 ACADEMY
NOV 7TH – NEWCASTLE UPON TYNE – NX SOLD OUT
NOV 9TH – MANCHESTER – MANCHESTER ACADEMY SOLD OUT
NOV 10TH – BIRMINGHAM 02 – ACADEMY
NOV 11TH – BRISTOL – 02 ACADEMY SOLD OUT
NOV 13TH – LONDON – ROUNDHOSE
NOV 14TH – LONDON – ROUNDHOUSE SOLD OUT
NOV 15TH – LONDON – ROUNDHOUSE SOLD OUT
NOV 17TH – BRUSSELS – ANCIENNE SOLD OUT
NOV 18TH – UTRECHT – TIVOLIVREDENBERG SOLD OUT
NOV 19TH – COLOGNE – CARLSWERK VICTORIA SOLD OUT
NOV 21ST – COPENHAGEN – VEGA SOLD OUT
NOV 22ND – HAMBURG – GROBE FREIHEIT 36 SOLD OUT
NOV 23RD – BERLIN – COLUMBIAHALLE SOLD OUT
NOV 25TH – MUNICH – TONHALIE
NOV 26TH – LAUSANNE – LES DOCKS
NOV 27TH – PARIS – OLYMPIA
NOV 29TH – ATHENS – FLOYD

JULY 5TH – LONDON – FINSBURY PARK SUPPORTING FONTAINES DC

ALBUM TRACK LISTING

JERKIN
CHEWING GUM
TINY BIKINI
BIG DREAMS
IT’S MINE
MOTORBIKE SONG
DOING IN ME HEAD
PIGS
BAILING ON ME
U SHOULD NOT BE DOING THAT
D0 IT DO IT
GOING SOMEWHERE
ME AND THE GIRLS

amylandthesniffers.com | Facebook | Twitter | Instagram

ALKALINE TRIO
“THE SACRIFICE” / “AT SICKNESS”
DOUBLE A-SIDE SINGLE OUT NOW

Blood, Hair, and Eyeballs The Tour Returns to the U.S. Next Month

If 11 tracks worth of Blood, Hair, and Eyeballs wasn’t enough for you, your luck has taken a sweet and dark turn: Today marks the release of two all-new, previously unheard Alkaline Trio songs. “The Sacrifice” and “At Sickness” are now available everywhere as a double A-side digital single.

Additionally, “The Sacrifice” and “At Sickness” will be released October 18th as a limited edition 7” vinyl in two variants, available exclusively via alkalinetrio.com and RiseRecords.com.

Guitarist/vocalist Matt Skiba commented: “We are very excited to be releasing these two songs as a seven inch. Putting out an EP on 7” vinyl is something we haven’t had the opportunity to do for a long time, so having two new songs to offer up on such a classic format is fun for us as vinyl enthusiasts. Both ‘At Sickness’ and ‘The Sacrifice’ were initially written and recorded for our Blood, Hair, and Eyeballs album and leaving them off the record wasn’t an easy decision. It was done merely in the interest of the full-length’s running time, which we wanted to keep under 40 minutes. We’re psyched that these two numbers are being released and will be available on their own special format, no less.”

Having just completed a run of nightly singalongs with some of the largest and most enthusiastic European crowds they’ve ever drawn, Skiba, bassist/vocalist Dan Andriano and drummer Atom Willard have been working the road nonstop since the January 26, 2024 release of Blood, Hair, and Eyeballs — the 10th Alkaline Trio album and first on Rise Records. The new songs have been meshing seamlessly with classics and deep cuts from landmark Trio works including Agony & Irony, Crimson, Good Mourning, From Here to Infirmary, Maybe I’ll Catch Fire, Goddamnit and more, with the band in top form night after night. For information and updates on Blood, Hair, and Eyeballs The Tour, see below or go to www.alkalinetrio.com/tour

Blood, Hair, and Eyeballs The Tour 2024
(Spanish Love Songs and Slomosa support except where indicated *)

09/11/24 – San Antonio, TX — Aztec Theater
09/12/24 – New Orleans, LA – House of Blues
09/14/24 — Orlando, FL — Punk in the Park * (with the Vandals, Dead Kennedys, Black Flag, The Bronx, TSOL and more)
09/15/24 – Charleston, SC – Charleston Music Hall
09/17/24 – Wilmington, DE – The Queen
09/19/24 – Wallingford, CT – The Dome at Oakdale
09/20/24 – Wantagh, NY – Mulcahy’s
09/21/24 – Sayreville, NJ – Starland Ballroom
09/22/24 – Hampton Beach, NH – Hampton Beach Casino Ballroom
09/24/24 – Buffalo, NY – Buffalo Riverworks
09/26/24 – Grand Rapids, MI – The Intersection
09/27/24 – Milwaukee, WI – The Rave
09/28/24 – Columbus, OH – KEMBA Live!
09/29/24 – Newport, KY – MegaCorp Pavilion

PAUL MCCARTNEY AND WINGS – ONE HAND CLAPPING

TICKETS ON SALE NOW HERE

OFFICIAL TRAILER RELEASED HERE

TRAFALGAR RELEASING AND MERCURY STUDIOS PRESENT EXCLUSIVE FILM EVENT IN CINEMAS WORLDWIDE BEGINNING SEPTEMBER 26

WHAT:

Tickets are on sale now for Paul McCartney and Wings – One Hand Clapping. Additionally, the event’s official trailer has been unveiled today HERE

Paul McCartney and Wings – One Hand Clapping is an opportunity for audiences to step back in time to 1974 and witness the magic of the band’s historic recording session at Abbey Road Studios. This behind-the-scenes look delves into the making of the acclaimed One Hand Clapping album, featuring rare footage, interviews with the band, insights from the creative team, and more. Relive iconic Wings hits, a reimagined Beatles classic, and captivating performances on the big screen.In addition to the full Paul McCartney and Wings – One Hand Clapping film, the event will feature the previously unreleased Backyard Sessions, showcasing Paul McCartney on acoustic guitar performing beloved tracks from his catalog. Highlights include the previously unreleased song “Blackpool” and covers of personal favorites like “Twenty Flight Rock,” the song he played for John Lennon during their first meeting. The screenings also boast an exclusive filmed introduction by Paul McCartney and previously unseen Polaroid photographs from the sessions.

WHO:

Paul McCartney and Wings – One Hand Clapping features Wings’ Paul McCartney, Linda McCartney, Denny Laine, Jimmy McCulloch, and Geoff Britton. Additionally joining the band in the studio were orchestral arranger Del Newman and saxophonist Howie Casey. The film was directed by David Litchfield and is presented in cinemas by Trafalgar Releasing and Mercury Studios.

WHEN:

This exclusive event comes to cinemas for limited screenings beginning September 26th.

WHERE:

Paul McCartney and Wings – One Hand Clapping is coming to select big screens worldwide. For a list of participating cinemas and to purchase tickets, visit onehandclapping.film

ASSETS:

An exclusive clip from Band on the Run is available HERE
Press assets, including the official poster, are available HERE

ABOUT MERCURY STUDIOS:

Mercury Studios is a full-service production studio, focused on telling compelling stories through the lens of music.

Current and recent projects include Oscar and BAFTA award nominated American Symphony, directed by Matthew Heineman for the Obamas’ Higher Ground Productions/Netflix, If These Walls Could Sing, directed by Mary McCartney for Disney+, My Life as a Rolling Stone for the BBC and MGM+, Shania Twain: Not Just A Girl for Netflix, This Town, a six-part series for the BBC from writer, creator, and executive producer Steven Knight, Linda Perry: Let it Die Here, which premiered at Tribeca Film Festival and the recently announced One to One: John & Yoko from Oscar and BAFTA award winning director, Kevin Macdonald.

Mercury Studios also produced Sam Smith: Live at the Royal Albert Hall for BBC, Billie Eilish’s Overheated at the O2 London and Lang Lang Plays Disney for Disney+.

Editorially independent, Mercury Studios is powered by Universal Music Group and represents the world’s leading catalogue of music-related content, consisting of thousands of hours of premium music-driven film and television programming.

ABOUT TRAFALGAR RELEASING:

Trafalgar Releasing, the global leader in event cinema distribution, harnesses the power of cinema to bring fans together in more than 15,000 cinemas across 132 countries. A subsidiary of Trafalgar Entertainment, Trafalgar Releasing’s operations include production, acquisition, marketing, and distribution of live or pre-recorded content to cinemas worldwide led by an international team based in the UK, US and Germany. Featuring live concerts, music documentaries, world-class opera, award-winning theatre, and more from leading names in entertainment such as Taylor Swift, Beyoncé, BTS, Metallica, Oasis, Coldplay, Billie Eilish, the Royal Opera House and others, Trafalgar Releasing has repeatedly shattered event cinema box office records, most recently with international distribution for TAYLOR SWIFT | THE ERAS TOUR, the highest-grossing concert film of all time. Information about Trafalgar Releasing can be found at www.trafalgar-releasing.com.

Paul McCartney Photographs 1963–1964: Eyes of the Storm Unveils Rare View into The Beatles’ Legendary Journey to Fame

Nearly 60 years after The Beatles’ final concert at Candlestick Park, Beatlemania returns to San Francisco

de Young museum / March 1 – July 6, 2025

Nearly 60 years after The Beatles performed their final concert at Candlestick Park, Beatlemania is back in the Bay. Organized by the National Portrait Gallery, London, and presented exclusively in California at the de Young museum, Paul McCartney Photographs 1963–1964: Eyes of the Storm will present more than 250 personal photos by Paul McCartney, video clips, and archival materials, that offer a behind-the-scenes look into the meteoric rise of the world’s most celebrated band.

“In Eyes of the Storm, recently unearthed photographs by Paul McCartney provide a rare time capsule of The Beatles’ world at the moment of their extraordinary rise to fame,” remarked Thomas P. Campbell, Director and CEO of the Fine Arts Museums of San Francisco. “Well known as one of the world’s most famous musical stars, it is a revelation to discover McCartney’s proficiency as a photographer, documenting everything from the band’s quieter moments and friendships to the ‘Beatlemania’ of the time. We’re honored to present this exhibition here in San Francisco, where The Beatles left an indelible mark on our city’s musical and cultural history.”

Eyes of the Storm captures a period from December 1963 through February 1964 when The Beatles performed in concert halls across England and toured in the United States. McCartney’s images reveal the intensity of life on tour, as The Beatles were whisked from concerts to hotels, trailed by enthusiastic fans from New York to Miami. Photographs of screaming crowds and paparazzi illustrate the sheer magnitude of the group’s superstardom. In stark contrast, behind-closed-doors images captured by McCartney highlight the humor and individuality of the band members on their days off. Eyes of the Storm invites visitors to witness The Beatles’ journey to stardom, from local venues in Liverpool to the Ed Sullivan Show and worldwide acclaim. McCartney’s photographs of the four band members existed as unprinted negatives and contact sheets for 60 years. Rediscovered in the artist’s personal archive in 2020, these images offer new insight into the band, their fans, and the early 1960s, as seen through the eyes of Paul McCartney.

“In this exhibition, we glimpse McCartney both behind and in front of the lens, as he bears witness to a pivotal cultural moment through the camera with a keen artistic eye,” said organizing curator Sally Martin Katz. “From portraiture to landscapes and documentary shots, McCartney demonstrates a deep understanding of the formal styles prevalent in early 1960s photography. Throughout the exhibition, nods to New Wave, documentary filmmaking, and photojournalism underscore McCartney’s multifaceted approach to capturing the spirit of the time.”

Opening March 1, 2025 at the de Young museum, Paul McCartney Photographs 1963–64: Eyes of the Storm will run through July 6.

About Paul McCartney

Born in Liverpool, England, Paul McCartney rose to prominence as a founding member of The Beatles. Throughout his lifetime, McCartney has played a pivotal role in shaping the landscape of popular music and culture.

Exhibition Organization Paul McCartney Photographs 1963–1964: Eyes of the Storm is organized by the National Portrait Gallery, London, in collaboration with Paul McCartney. It is curated by Paul McCartney with Sarah Brown for MPL Communications and Rosie Broadley for the National Portrait Gallery, London. The presentation at the de Young museum is organized by coordinating curator Sally Martin Katz.

Presenting Sponsor

John A. and Cynthia Fry Gunn

Lead Sponsor

Michael Taylor Trust

Major Support

Lisa and Douglas Goldman Fund

Generous Support

Nick and Sandra Javaras

Additional support is provided by Jan and Bob Newman.

About the Fine Arts Museums of San Francisco

The Fine Arts Museums of San Francisco, comprising the de Young in Golden Gate Park and the Legion of Honor in Lincoln Park, is the largest public arts institution in San Francisco.

The de Young museum originated from the 1894 California Midwinter International Exposition in Golden Gate Park. The present copper-clad landmark building, designed by Herzog & de Meuron, opened in 2005. Reflecting an active conversation among cultures, perspectives, and time periods, the collections on view include American painting, sculpture, and decorative arts from the 17th to the 21st centuries; arts of Africa, Oceania, and the Americas; costume and textile arts; and international modern and contemporary art.

The Fine Arts Museums of San Francisco are located on land unceded by the Ramaytush Ohlone, who are the original inhabitants of what is now the San Francisco Peninsula. The greater Bay Area is also the ancestral territory of other Ohlone peoples, as well as the Miwok, Yokuts, and Patwin. We acknowledge, recognize, and honor the Indigenous ancestors, elders, and descendants whose nations and communities have lived in the Bay Area over many generations and continue to do so today. We respect the enduring relationships that exist between Indigenous peoples and their homelands. We are committed to partnering with Indigenous communities to raise awareness of their legacy and engage with the history of the region, the impacts of genocide, and the dynamics of settler colonialism that persist today.

Media Contact

Morgan Braitberg, Publicist, press@famsf.org

PAUL McCARTNEY AND WINGS – ONE HAND CLAPPING

RARE FILM & BONUS FEATURES COMING TO CINEMAS WORLDWIDE FOR THE FIRST TIME FOR LIMITED SCREENINGS BEGINNING SEPTEMBER 26

AN INTIMATE LOOK AT 1974 ABBEY ROAD RECORDING SESSIONS – FEATURING:– PREVIOUSLY UNRELEASED IN FULL FOOTAGE OF SOLO ACOUSTIC PERFORMANCE BY PAUL McCARTNEY THE BACKYARD SESSIONS
-A NEW EXCLUSIVE FILMED INTRODUCTION BY PAUL McCARTNEY
-UNSEEN POLAROIDS

TICKETS ON SALE STARTING AUGUST 16 AT ONEHANDCLAPPING.FILM

EXCLUSIVE CLIP FROM BAND ON THE RUN AVAILABLE HERE

DOWNLOAD THE OFFICIAL POSTER HERE

Trafalgar Releasing and Mercury Studios announced today an opportunity for audiences to step back in time to 1974 and witness the magic of Paul McCartney and Wings – One Hand Clapping. A captivating film, filmed on video tape capturing the look and feel of the time, exploring their historic recording session at Abbey Road Studios, will premiere as an exclusive cinema event beginning September 26th. This behind-the-scenes look delves into the making of the acclaimed One Hand Clapping album, featuring rare footage, interviews with the band, insights from the creative team, and more. Relive iconic Wings hits, a reimagined Beatles classic, and captivating performances on the big screen.

“It’s so great to look back on that period and see the little live show we did. We made a pretty good noise actually! It was a great time for the band, we started to have success with Wings, which had been a long time coming.” – Paul McCartney

In addition to the full film directed by David Litchfield, the event will feature the previously unreleased Backyard Sessions, showcasing Paul McCartney on acoustic guitar performing beloved tracks from his catalog. Highlights include the previously unreleased song “Blackpool” and covers of personal favorites like “Twenty Flight Rock,” the song he played for John Lennon during their first meeting. The screenings also boast an exclusive filmed introduction by Paul McCartney and previously unseen Polaroid photographs from the sessions.

Tickets for Paul McCartney and Wings – One Hand Clapping will be available beginning Friday, August 16 at onehandclapping.film. Fans are encouraged to sign up for additional information.

“We are looking forward to bringing the legendary music of Paul McCartney to the big screen and offering fans a front-row seat to his enduring legacy,” said Marc Allenby, CEO, Trafalgar Releasing. “This cinematic experience will transport audiences back to a golden era of rock and roll while captivating new fans with the magic of this iconic band. It’s a must-see event for music lovers of all generations.”

“We are excited to be partnering with MPL on the global debut of Paul McCartney and Wings – One Hand Clapping” said Amy Freshwater, VP of Acquisitions who secured the film alongside Will White, SVP of Content Sales for Mercury Studios. “We are working closely with MPL to release a brand-new project in honour of the 50th anniversary. Mercury Studios are handling all media sales and are delighted to pair with Trafalgar Releasing for the initial theatrical release as we bring this very special treat to audiences worldwide.”

One Hand Clapping showcased Wings’ new line-up, fresh off their return from Nashville where they recorded the classic single “Junior’s Farm”. Following the sudden departure of Denny Seiwell and Henry McCullough the previous year on the eve of recording the Wings masterpiece, released the year previously, Band on the Run, Paul (vocals, bass, piano, electric piano, Hammond organ, celeste, harmonium, acoustic guitar), Linda (Moog, electric piano, Mellotron, tambourine, backing vocals) and Denny Laine (vocals, electric guitar, acoustic guitar, bass) were now joined by guitarist Jimmy McCulloch and drummer Geoff Britton. Additionally joining the band in the studio were orchestral arranger Del Newman and saxophonist Howie Casey, who had previously played with Paul in Hamburg and would go on to join the Wings touring band.

Opening with an instrumental jam that would become the One Hand Clapping theme song, the intimate film features live-in-studio renditions of Wings classics, including “Live and Let Die”, “Band on the Run”, “Jet” and “My Love”. During the film Paul talks about his enjoyment at working in a band, his writing process and how he thought at 14 he might have a future as a cabaret singer. We hear from band members about their experience of being part of Wings and working with Paul. Paul is seen performing side by side with Linda and there are even some impressive Karate displays by drummer Geoff Britton.

One Hand Clapping serves as a celebration of the enduring legacy of Paul McCartney and Wings. It captured a moment when Wings had found and defined their signature sound – just as Paul had shaped popular culture the decade before with The Beatles, he was doing it once again in the 70s with Wings. This film gives an insight into the inner workings of the band as they work and play together in the studio. Regarding the band in their recent album coverage, Pitchfork said “…the version of Wings that McCartney corralled for the One Hand Clapping sessions exhibited the laser focus and playful spontaneity of a tight knit rock’n’roll band that seemed to have put in their 10,000 hours in just a few weeks.”

The film, an intimate look at the recording, originally shot on 1970s videotape, has been scanned and restored at 4K. The between song dialogue has been de-mixed using Wingnut’s MAL software and the film features a new Dolby Atmos audio mix by Steve Orchard and Giles Martin.

Released in June, the album One Hand Clapping (order HERE) opens with an instrumental jam – the One Hand Clapping theme song. The album features live-in-studio renditions of Wings mega-hits “Live and Let Die,” “Band on the Run,” “Jet,” “My Love,” “Hi, Hi, Hi,” “Junior’s Farm,” Paul McCartney’s much loved solo song “Maybe I’m Amazed,” reworked extracts of Beatles’ classics “Let It Be,” “The Long and Winding Road,” and “Lady Madonna,” the Moody Blues’ hit “Go Now” with Denny Laine singing, and a Paul solo piano version of the Harry Akst/Benny Davis Tin Pan Alley classic “Baby Face.”

Upon release, One Hand Clapping hit the Top 10 across Europe and has been critically praised. MOJO called it “Freewheeling and powerful” (4/5), while Uncut declared, “It’s a lovely record: McCartney is typically chipper, the song selection outstanding and the sound fabulous” (8/10). Record Collector added, “McCartney’s ineluctable creativity shines” (4/5), and Classic Pop Magazine enthused, “Macca unleashed deserves a round of applause” (4.5/5).

About Mercury Studios

Mercury Studios is a full-service production studio, focused on telling compelling stories through the lens of music.

Current and recent projects include Oscar and BAFTA award nominated American Symphony, directed by Matthew Heineman for the Obamas’ Higher Ground Productions/Netflix, If These Walls Could Sing, directed by Mary McCartney for Disney+, My Life as a Rolling Stone for the BBC and MGM+, Shania Twain: Not Just A Girl for Netflix, This Town, a six-part series for the BBC from writer, creator, and executive producer Steven Knight, Linda Perry: Let it Die Here, which premiered at Tribeca Film Festival and the recently announced One to One: John & Yoko from Oscar and BAFTA award winning director, Kevin Macdonald.

Mercury Studios also produced Sam Smith: Live at the Royal Albert Hall for BBC, Billie Eilish’s Overheated at the O2 London and Lang Lang Plays Disney for Disney+.

About Trafalgar ReleasingTrafalgar Releasing, the global leader in event cinema distribution, harnesses the power of cinema to bring fans together in more than 15,000 cinemas across 132 countries. A subsidiary of Trafalgar Entertainment, Trafalgar Releasing’s operations include production, acquisition, marketing, and distribution of live or pre-recorded content to cinemas worldwide led by an international team based in the UK, US and Germany. Featuring live concerts, music documentaries, world-class opera, award-winning theatre, and more from leading names in entertainment such as Taylor Swift, Beyoncé, BTS, Metallica, Oasis, Coldplay, Billie Eilish, the Royal Opera House and others, Trafalgar Releasing has repeatedly shattered event cinema box office records, most recently with international distribution for TAYLOR SWIFT | THE ERAS TOUR, the highest-grossing concert film of all time. Information about Trafalgar Releasing can be found at www.trafalgar-releasing.com.

GHOST
RITE HERE RITE NOW
#1 SOUNDTRACK ALBUM IN THE U.S.

Move over and let Papa take over, Deadpool and Wolverine — GHOST’s RITE HERE RITE NOW is the #1 soundtrack in the country.

The original motion picture soundtrack to the highest grossing hard rock cinema event in North American history has officially topped not only the Soundtrack Albums chart, but also debuted at #1 on the Vinyl, Rock and Hard Music Album and Indie Store Album Sales charts—as well as placing top 5 on the Current Albums, Independent Albums and Digital Albums charts.

The Los Angeles Times recently observed, “As far as live acts go, they’re one of the best in the business — and now they have the movie to prove it” — and with the July 26 release of the RITE HERE RITE NOW original motion picture soundtrack via Loma Vista Recordings, GHOST now offers up documented audio proof. This collectible double LP and CD includes a 16-page photo book, official film poster and 18 songs from the band’s debut feature film, recorded live at GHOST’s now-legendary pair of sold out shows at Los Angeles’ Kia Forum. In addition to live versions of classics and deep cuts spanning the GRAMMY-winning theatrical rock ensemble’s vaunted catalog, the RITE HERE RITE NOW soundtrack features the film’s previously unreleased end credits anthem, the unearthed third Papa Nihil 1969 era single “The Future Is A Foreign Land”. The RITE HERE RITE NOW soundtrack is available worldwide on all digital services, 2xLP, 2XCD and cassette (UK exclusive). For further information, go to https://i.ghost-official.com/RiteHereRiteNow