Category Archives: artists

EXPLOSIONS IN THE SKY: THE WILDERNESS

 

New Album Out April 1 on Temporary Residence Ltd.

Pre-Order Live Now at www.explosionsinthesky.com
shop.temporaryresidence.com/trr270, & All Finer Retailers

Album Track “Disintegration Anxiety” Now Streaming Everywhere & Available Instantly With All Pre-Orders

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Following on the recent announcement of an April 2016 UK/Ireland tour including a headline show at London’s famed Royal Albert Hall, EXPLOSIONS IN THE SKY has confirmed an April 1 worldwide release for its new album The Wilderness (Temporary Residence Ltd.).

The Wilderness is the band’s sixth album, and first non-soundtrack effort since 2011’s Take Care, Take Care, Take Care. Arguably the most progressive instrumental rock album since EITS’ 2003 breakthroughThe Earth Is Not A Cold Dead Place, The Wilderness is a bold, experimental work combining the singular song craft that has sold hundreds of thousands of albums and tickets with the cinematic sensibility that has elevated the band to the level of regard and demand its members enjoy as film composers (Lone Survivor, Manglehorn, Prince Avalanche, Friday Night Lights).

The first Explosions In The Sky album not produced entirely by the band, The Wilderness features long time collaborator (and Grammy-winning producer) John Congleton in a co-producer role for the first time. The band’s most ambitious songs to date branch into unexpected new dimensions accordingly–Exhibit A being “Disintegration Anxiety,” currently streaming on all platforms—with visual accompaniment where applicable—and available as an instant grat download with all pre-orders. With its cacophonous opening washes that ultimately resolve into a locked groove, “Disintegration Anxiety” marks the rock solid midpoint of an aggressively modern and forward-thinking work—yet one that wouldn’t seem the slightest bit out of place on a shelf between original pressings of Meddle andObscured By Clouds.

Explosions In The Sky is: Chris Hrasky (drums), Michael James (guitar, bass), Munaf Rayani (guitar), Mark T. Smith (guitar). The track listing for The Wilderness is as follows:

1. Wilderness
2. The Ecstatics
3. Tangle Formations
4. Logic of a Dream
5. Disintegration Anxiety
6. Losing the Light
7. Infinite Orbit
8. Colors in Space
9. Landing Cliffs

© Nick Simonite
© Nick Simonite

DAVID BOWIE 

“LAZARUS” VIDEO DIRECTED BY JOHAN RENCK LIVE NOW AThttp://smarturl.it/DBLazarus

★ ALBUM OUT JANUARY 8th ON ISO/COLUMBIA RECORDS

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Having been teased earlier this week, the full lucid nightmare brilliance of the video for David Bowie’s current single “Lazarus” has been revealed at http://smarturl.it/DBLazarus.

“Lazarus” is the second single from Bowie’s 28th album ★ out January 8 on ISO/Columbia Records. Director Johan Renck, who also directed the 10-minute short film for the album’s title track, commented on the experience of visually interpreting that song and “Lazarus”:

“One could only dream about collaborating with a mind like that; let alone twice. Intuitive, playful, mysterious and profound… I have no desire to do any more videos knowing the process never ever gets as formidable and fulfilling as this was. I’ve basically touched the sun.”

Meanwhile, early critical notices on the about-to-be-released ★ album continue to amplify the universal acclaim that greeted its lead track (recently hailed as one of the best songs of 2015 in THE NEW YORK TIMES):

“His best anti-pop masterpiece since the Seventies… Bowie’s most fulfilling spin away from glam-legend pop charm since 1977’s Low. ★ is that strange and that good.”—ROLLING STONE

“Already one of the best albums of 2016… The Thin White Duke continues to make some of the most forward-thinking music around… the songs on his 28th studio album sound like nothing else in pop music right now… Bowie is squarely in his comfort zone—which is light years ahead of anyone else.”—ENTERTAINMENT WEEKLY

“These are diabolical earworms, all the more creepy for their singsong lucidity. But hasn’t that always been Bowie’s genius, knowing exactly how much sugar is needed to smuggle in the strange?”—VULTURE

“The delicious conceit of David Bowie conspiring with modern jazz artists is fulfilled beautifully… emerges as an album to savor as well as admire.”—WALL STREET JOURNAL

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★ is released January 8, 2016 on ISO/Columbia Records.

Pre-order links:
CD: http://smarturl.it/blackstar_amazon
Vinyl LP: http://smarturl.it/blackstar_vinyl
Digital album: http://smarturl.it/blackstar_itunes
Limited Edition Special Clear Vinyl LP: http://smarturl.it/blackstar_clearvinyl
imablackstar.com
davidbowie.com

EAGLES OF DEATH METAL THANK THEIR MUSICAL BROTHERS & SISTERS JOINING THE PLAY IT FORWARD EODM CAMPAIGN  

FLORENCE + THE MACHINE (FEATURING THE MACCABEES), KINGS OF LEON, ED HARCOURT, IMAGINE DRAGONS, MY MORNING JACKET, SAVAGES, JIMMY EAT WORLD & MORE RELEASE FIRST WAVE OF COVER VERSIONS OF EODM’S “I LOVE YOU ALL THE TIME” AVAILABLE TODAY ON ITUNES, PRIME MUSIC, AND SPOTIFY
 
Artists Covering The Song As Well As Amazon, Apple, Spotify and TuneCore Distribution to Donate Their Proceeds To
Friends of Fondation de France

http://playitforwardeodm.com/

PLAY IT FORWARD

 

In the aftermath of the horrific and senseless terrorist attacks on Paris on November 13, 2015—in which so many innocent lives were taken at that evening’s Eagles Of Death Metal show at Le Bataclan—it was none other than Duran Duran who reached out with an immediate and sincere act of musical solidarity: In response to a fan-led campaign to push Eagles Of Death Metal’s cover of Duran Duran’s classic “Save A Prayer” to #1 in the UK, Simon LeBon tweeted that the new romantic icons would donate their share of royalties from the track to charity.

In the weeks that followed, Eagles Of Death Metal asked its musical family to extend the victims of the Paris attacks the same kindness and compassion that everyone from the members of U2 to the French authorities had shown the band—to join the Play It Forward EODM Campaign. EODM asked artists the world over to cover “I Love You All The Time” from its current album Zipper Down. For every cover sold, the band pledged to donate 100% of its publishing income to The Sweet Stuff Foundation, the non-profit organization founded in 2013 by EODM co-founder Joshua Homme to provide assistance to musicians and their families in times of need, as well as musical education and gear for the next generation. Participating artists were also asked to donate the money generated from sales of the song to the charity.

This week, Eagles Of Death Metal is overwhelmed with gratitude by the generosity and empathy made manifest in the first wave of “I Love You All The Time” covers being released by the following artists, all of whom are donating any royalties due them for these performances. The full list of the first series of confirmed Play It Forward EODM Campaign participants is in alphabetical order:

FLORENCE + THE MACHINE (FEATURING THE MACCABEES)
ED HARCOURT
IMAGINE DRAGONS
JIMMY EAT WORLD
ALAIN JOHANNES
KINGS OF LEON
MINI MANSIONS
MY MORNING JACKET
THE NEW PACIFIC
r00ms
SAVAGES
SINNER SINNERS
DEAN WEEN GROUP

Extending their appreciation beyond their fellow musicians, Eagles Of Death Metal thanks Amazon, Apple, Spotify and TuneCore Distribution for joining the Play It Forward initiative in donating their proceeds from these covers to Friends of Fondation de France in participating markets.

Homme commented on the Play It Forward EODM Campaign and this first showing of camaraderie: “I made a plea to artists and business people alike to come together to use our solidarity as proof that we are stronger together, and that we can make a difference. We are proud to be a little part of such a big group of talent and good will. We can’t thank these artists enough for their donations of talent, love, time, and compassion. Now, the Play It Forward Campaign is in the hands of the fans to help us make a difference, and to help those affected by this tragedy. Please listen, purchase, play, and enjoy – and know that every time you do, you’re doing the sweet stuff that makes that difference.”

The covers are available today on iTunes, Prime Music and Spotify. Additional versions are forthcoming and will be announced as they are confirmed. Those wishing to donate should go to http://playitforwardeodm.com/ for information on how to do so.

EODM offers up further gratitude to Pearl Jam and drummer Matt Cameron, who are contributing two covers–Pearl Jam’s live version of “I Want You So Hard” (Recorded at Estadio Maracanã, Rio de Janeiro) and Matt Cameron’s “I Love You All The Time”—to the Play It Forward cause. A digital bundle of both songs—and a vinyl version pre-order—go live at 9am PT on Friday, December 18 at www.pearljam.com, with all proceeds going to The Sweet Stuff Foundation. Pearl Jam’s Matt Cameron explains: “After reading Josh Homme’s email encouraging fellow musicians to cover EODM’s ‘I Love You All the Time,’ I was very inspired to act quickly, so I recorded a version on a night off from tour in Mexico City in my hotel room, 11-27-2015, 8pm-12am. I am honored to be a part of this movement of unity and support. We’ll never stop.”

With cooperation from Fondation de France: www.fondationdefrance.org and FENVAC: www.fenvac.org, Play It Forward EODM Campaign donations to Sweet Stuff will aid the surviving family members of those killed in the November 13 Paris attacks—as well as the family of slain EODM crew member Nick Alexander. For more information on The Sweet Stuff Foundation, go to www.thesweetstufffoundation.org.

Finally, it was confirmed earlier this week that Eagles Of Death Metal will return to Europe for the first time since its triumphant appearance during U2’s encore December 7th in Paris. The first run of rescheduled dates—now christened The Nos Amis Tour—will include a February 16th show at the Olympia in Paris. “The people of Paris have always been incredible to us, and our feeling of love towards this beautiful city and its people has been reinforced a million times over this past month,” commented EODM co-founder and frontman Jesse Hughes. “Hearing the stories of the survivors, the injured and those who have lost loved ones has been overwhelming. Not returning to finish our set was never an option. We look forward to coming back in February and continuing our mission to bring rock ‘n’ roll to the world.”

PJ HARVEY RETURNS WITH NEW ALBUM IN 2016

WATCH FILM CLIP DIRECTED BY SEAMUS MURPHY NOW

 

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© Maria Mochnacz
© Maria Mochnacz

PJ Harvey returns next year with a new record documenting a unique artistic journey, which took her to Kosovo, Afghanistan and Washington, D.C. The album was recorded during a month-long, open to the public “Recording in Progress” residency at London arts and cultural center Somerset House. Audiences were given the opportunity to observe Harvey at work with her band and producers in a custom-built studio.

This film clip provides a glimpse of what’s to come from PJ Harvey’s ninth long player. The new album follows 2011’s Let England Shake, the record that made PJ Harvey the only artist to be awarded the Mercury Prize twice (the previous win being for Stories from the City, Stories from the Sea in 2001).

DAVID BOWIE NEW SINGLE ‘LAZARUS’

SINGLE RELEASED DIGITALLY DECEMBER 18th

TAKEN FROM ★ THE NEW ALBUM AVAILABLE FOR PRE-ORDER NOW

★ ALBUM OUT JANUARY 8th 2016 ON ISO/COLUMBIA RECORDS

‘LAZARUS’ CAST TO PERFORM SINGLE DECEMBER 17th ON THE LATE SHOW  WITH STEPHEN COLBERT

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David Bowie’s new single ‘Lazarus’ taken from the album ★ (pronounced Blackstar) will be released digitally on December 18th.

Lazarus‘ is the only track on ★ also featured in the stage production ‘Lazarus’ written by Bowie and Enda Walsh and directed by Ivo Van Hove, which opened December 7th in New York to great critical acclaim: The New York Times raved “Ice-cold bolts of ecstasy shoot like novas through the glamorous muddle and murk of Lazarus, the great-sounding, great-looking and mind-numbing new musical built around songs by David Bowie,” while Rolling Stone hailed Lazarus as a “Surrealistic Tour de Force… milk-swimming, lingerie-sniffing, gin-chugging theater at its finest.”

And on December 17th, following the single’s U.S. premiere via NPR Music, the theatrical interpretation of ‘Lazarus’ will make the leap from stage to screen, when Michael C. Hall and the musicians from the musical perform the song on The Late Show with Stephen Colbert.

Meanwhile the first single from ★ continues to draw universal raves from the likes of NPR (“one of the most adventurous living artists still pushing himself”), Billboard (“strange, fabulous and fascinating”), and most recently The Los Angeles Times (“a gorgeous work and more evidence that Bowie’s late-career reinvention continues”).

★ is released January 8, 2016 on ISO/Columbia Records.

Pre-order links:

CD: http://smarturl.it/blackstar_amazon
Vinyl LP: http://smarturl.it/blackstar_vinyl
Digital album: http://smarturl.it/blackstar_itunes
Special clear vinyl configurations including exclusive lithograph artwork here: http://smarturl.it/blackstar_dbstore
imablackstar.com
davidbowie.com

© Jimmy King
© Jimmy King

U2 iNNOCENCE + eXPERIENCE TOUR RETURNS TO PARIS

U2 iNNOCENCE + eXPERIENCE TOUR RETURNS TO PARIS

Postponed November Dates Rescheduled to December 6th & 7th, 2015

© Ross Stewart
© Ross Stewart

 

U2 will return to Paris in early December to play their two concerts postponed from earlier in November. The new dates – Sunday, December 6th and Monday, December 7th at the Accorhotels Arena in Bercy – are confirmed by Live Nation today. Tickets for the previously scheduled November 14th performance will be valid for the December 6th event. Tickets for the previously scheduled November 15th performance will be valid for the December 7th event. Complete ticket information below.

Speaking from Dublin ahead of tonight’s opening night of U2’s four-night run in their hometown, Bono commented: “So much that was taken from Paris on the tragic night of November 13th is irreplaceable. For one night, the killers took lives, took music, took peace of mind – but they couldn’t steal the spirit of that city. It’s a spirit our band knows well and will try to serve when we return for the postponed shows on December 6th and 7th. We’re going to put on our best for Paris.”

U2 tour promoter and tour producer Arthur Fogel added, “The band wanted us to reschedule as soon as possible so that they could honour the commitment to their audience.”

And as originally planned, U2’s iNNOCENCE + eXPERIENCE Tour will be broadcast live from Paris on HBO. The concert on Monday 7th December 2015 will be filmed live and will be shown on HBO at 9:00pm ET.

Ticket Information:

Tickets for the previously scheduled performances will be honoured at the door. Tickets for the previously scheduled November 14th performance will be valid at the December 6th event. Tickets for the November 15th performance will be valid at the December 7th event.  Fans who are unable to attend the rescheduled show dates may refund their existing tickets through November 30th 2015. Tickets may be refunded at point of purchase. Any returned tickets will be immediately released for sale.

For Live Nation press enquiries, please contact: fawzi.meniri@livenation.fr

For U2 press enquiries, please contact: Bridin@rmplondon.co.uk

For U2 press images, visit www.U2.com/rmpphoto

www.U2.com

FOO FIGHTERS SAINT CECILIA EP AVAILABLE NOW AT FOOFIGHTERS.COM

FOO FIGHTERS SAINT CECILIA EP AVAILABLE NOW AT FOOFIGHTERS.COM

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19 November 2015

Tonight, Let me begin with a preface to a letter I wrote a few weeks ago from my hotel room in Berlin while on our final tour for this album. I felt the need to write this foreword in light of the heartbreaking tragedies of Nov. 13th, as this project has now taken on an entirely different tone. As has everything, it seems…

The Saint Cecilia EP was put into motion back in October of this year as a celebration of life and music. The concept being that, as our world tour drew to a close this week, we wanted to share our love of both with you in return for everything you have given us.

Now, there is a new, hopeful intention that, even in the smallest way, perhaps these songs can bring a little light into this sometimes dark world. To remind us that music is life, and that hope and healing go hand in hand with song. That much can never be taken away.

To all who were affected by the atrocities in Paris, loved ones and friends, our hearts go out to you and your families. We will return and celebrate life and love with you once again someday with our music. As it should be done.

Dave Grohl

 

8 November 2015

Hey.

Thanks.

For real.

It was in Austin, Texas March 14th, 2013, at the last show of the “Sound City Players” when I was given a small, but very relevant and perhaps prophetic gift from my Sound City movie producers Jim Rota and John Ramsay. An empty journal, with a note that said something along the lines of, “Congratulations on everything Sound City…..now get to work on the next project!” It was the most beautiful way to end something that I wanted so badly to last forever: with a new beginning.

The basic concept of the Sonic Highways album and series was born right then and there, in a small backstage room surrounded by mountains of Lone Star beer and Stubbs BBQ. 8 songs, 8 cities, 8 studios, and a musical road trip of a lifetime. Removing the Foo Fighters from our comfort zone and challenging the process from top to bottom, it breathed new life into the band, and set us on a journey that unquestionably exceeded any of our simple expectations. And now it has led us here. To another beautiful ending.

So, where do I begin?

We owe it all to Mexico City.

Unbeknownst to them, the people who attended those two concerts back in December, 2013 at Foro Sol stadium helped fund the filming and recording of the bulk of the Sonic Highways project. They were the fuse that lit this little firecracker, baby. Without those gigs, many may have never heard the incredible and truly inspiring life stories of Buddy Guy, Steve Albini, Ian Mackaye, Tony Joe White, Zac Brown, Dolly Parton, Roky Erickson, Gary Clark Jr, Bruce Pavitt, Fred Drake, Terry Lickona, Joan Jett, Steve Rosenthal, Nora Guthrie……a list too long to share here. But, beyond giving our band the equivalent of a rock and roll university year abroad, they gave the entire world the most priceless gift: Inspiration. So….Gracias a todos, Mexico….we couldn’t have done it without you.

Before long, our rag tag crew of ne’er-do-wells was stumbling from city to city, coast to coast, taking in every drop (!) of 100 proof American culture we could squeeze. Dancing in a New Orleans second line parade, laying under the desert stars in Joshua Tree, walking the streets of Chicago in -30 degree weather…it was an American dream come true. Our only responsibility was to share it with you, and the brave people of HBO trusted us with that much. (very freely, I might add.) Blind faith? Perhaps. But, without Nina Rosenstein, we would not be the people who we are today. Looking back, she gave us something immeasurably generous: some of the greatest memories of our lives. These people and places that we experienced have filled our hearts…and ultimately our songs. So, thank you, Nina. We are yours. But, focused on the moment, we never in our wildest dreams could have imagined the whirlwind 23 months that lay ahead of us. We just put one foot in front of the other, and kept moving….

I must admit, I never looked at our schedule. I was too scared. I knew that this was it. This was the big one. There was talk of stadiums, and anniversaries, and TV shows. South Africa, Korea, Colombia. Letterman and Glastonbury. It all seemed too good to be true! But, as always, we kept our heads down and tried to appreciate every single moment as it fled. Because, you realize, none of this was ever supposed to happen. Ever. As we approached our twentieth anniversary, it was hard not to look back on all of those years and smile while shaking our heads in wonder and disbelief. From the Mike Watt van tour of 1995, to RFK stadium in Washington DC (my hometown gig) July 4th, 2015…those dots don’t necessarily connect in real life, you know? It still boggles the mind. But, the spoils of these blessings are not lost upon us. We count every last one.

Even the disasters.

A lucky break? Yeah, you could call it that. Gothenburg was a swift reminder that life is short, and that we’re all here to live it together, no matter what adversity you’re faced with. (Music! The perfect remedy!) Sure, weeks and weeks of shuffling around hotel rooms on my butt with a cast on my leg, trying to pack my suitcase alone before lobby call got pretty fucking stale pretty fucking quick. But, as always, I just put one foot in front of……well, the same one for a while there…

And then everything changed. The energy. The atmosphere. THE THRONE. I was no longer afraid to look at the schedule, I was glued to it. The challenge that we faced from there on out became more of a mission, or a dare, if you will. And it showed. Pat’s smile got even wider (an infallible barometer of all things), Chris’s solos got even faster (thank God someone knows what they’re doing up there), Nate’s stage moves more daring (I once noticed him just to the left of me) and Taylor’s drum set….well….it got pinker. But not without the help of scores of hardworking bad asses that some might call the Foo Fighters road crew (we like refer to them as family, in a very Manson Family kind of way…) They ultimately deserve the lion’s share of credit for keeping this old circus tent erect for the past 6 months. So, let’s all have a nice, warm diet Coke for them tonight. They’re the hardest working motherfuckers in the business. Cheers.

And so we trudged on. Any fatigue was met with an explosion of energy once the curtain went up. Any pain was met with the adrenaline of thousands of voices singing along. Every one of you kept us alive for a while there. One night, at a point where I felt like I was at the end of my rope, it came to me that these few hours we have together every night were something like a heavy blanket to retreat under. I could always rely on our time together to get me to the next stop. Again, and again. From Chicago to Cesena.

That being said….we’ve always been pretty good at knowing when to call it a day. You just….know. You get that feeling that, if you’re not careful, you’ll run out of bread crumbs to find your way home and be lost in the woods forever. It hit me a few months back, crept up on me and tapped me on the shoulder as if to say “Hey…don’t spend it all in one place, asshole.” A sobering reminder that all good things must come to an end. Of course…we could keep going. After all, we’d made it this far, right? What’s another 20 years?

Around that time we arrived in Austin, Texas for the Austin City Limits festival. A massive gig, two weekends and hundreds of acts, it was to be some of our final American performances for this album. There’s a certain bittersweet relief to that. On one hand, you’re carrying these monumental experiences under your wing as you anticipate life outside of a tour bus. On the other hand, you fear that the thrill and joy of sharing music with people all over the world will leave you like an empty shell when it’s gone. It becomes your everything. And that’s terrifying.

The Saint Cecilia Hotel, named after the patroness saint of music, is known as “A lush retreat from the world”. And, believe me, that it is! 14 rooms and a small bar, it’s tucked away in the trees within a bustling, Austin neighborhood. As our van pulled up in the wee hours of September 30th, 2015, I was struck with a rather impulsive idea: to record some songs on our days off to give to the world as a “thank you” for the last 2 years. Though there’s a world class recording studio just on the other side of the fence (Arlyn Studios, look it up.), the hotel manager, Jenny offered that we record in the hotel. A most generous, but unrealistic offer. Though, after rolling it around in my head a few times, it made perfect sense! Returning to the city where the entire Sonic Highways concept was born, loading in one last time to a room that was never designed to be a recording studio a la Sonic Highways, and making some music! Fate? Destiny? I was too tired to figure that kind of shit out, so I hit the sack, woke up the next morning and started making some calls…

By 6 pm the next day, the office was transformed into a control room and the bar was littered with microphones and cables. Amps were in the kitchen. Drums in front of the fireplace. Instant studio, courtesy of the legendary Kevin Szymanski! (Those fancy computer things are pretty convenient! More on that another time….) Margaritas were made, friends came to visit, the sun went down, and before long we started making enough noise to drive the neighbors to start drinking along with us. Riffs and ideas were thrown around, songs that were lost in the shuffle over the years, songs that were left unfinished. Like a musical retrospective, we were going through decades of songs no one has ever heard, pieces left on the cutting room floor from every album. Our own sonic scrapbook. (The Neverending Sigh is 20 years old! Was once called 7 corners for all you die hards out there…) Without the usual pressure or expectation of making an “album”, we sat happy and relaxed as we played. A virtual “This Is Your Life” of the Foo Fighters. It was so good, but again, bittersweet knowing that it was all soon coming to an end.

By midnight, the Preservation Hall Jazz Band had arrived, and the “session” turned into a full on party. Guitars were abandoned for horns and the room started swinging (spinning?). People danced between the cables and microphones, dancing behind the bar, strumming acoustic guitars on the patio. Danny Clinch did what Danny Clinch does, capturing the moments in his beautiful pictures between cocktails. Gary Clark Jr. sat on the patio in the candlelight, jamming along with friends from a couch. As the hours passed, the atmosphere had reached exactly what every recording experience should be: A celebration. “Always record! Always record!” said Jack Black in that infamous Tenacious D episode from years ago. Truer words have never been spoken. Because you just might miss something that you’ll never get back again. Moments that happen once in a lifetime. By the time that weekend was over, we had recorded 5 songs in that tiny room.

Weekend two was spent recording vocals and guitars in my bedroom, room 4. More friends, more margaritas, a fire in the fire pit. The most fabulous Cambria Harkey floated in, slinging her camera to insure that this wasn’t all just a dream. The porch was buzzing with activity as I did vocals in my bathroom, stepping in and out to listen to the previous takes. The coffee table became a pile of guitar pedals and scribbled lyrics, beer bottles and ashtrays. At one point, a familiar face walked in and said, “Dave…..it’s Ben Kweller…..” It had been years! Such a talented young man. We hugged, hit play to listen to the last vocal take, and he instinctively started singing the perfect harmony to my line. Without hesitation, I immediately said, “Get your ass in there and sing it right now.” So he picked up the coffee stained piece of hotel stationary with my lyrics penciled on it and banged out his part in two glorious takes. Always record, ladies and gentlemen. Always record. The night faded, friends and family scattered, and I fell asleep with my still glowing amp at the foot of my bed.

It was heartbreaking to leave that place, to say the least. I honestly feel like we left a piece of our band there as we were being torn away from it. The perfect unity of life, and love, and music is something that only comes around so often and in certain circumstances. When you feel it coming on, you have to take hold of it. That place and those people made it possible for our band to take one, big final breath before the curtain closes. Thankfully, we have evidence of this in these songs that we’re giving to you today. Thank you, Saint Cecilia. You made us feel right at home.

And, the music? Maybe these songs are the breadcrumbs that will help us find our way back when it’s time. We could use a nice wander through the woods right about now. Another empty journal, another tap on the shoulder…those things are never far behind. It’s what lies ahead in those woods that excites me now….

So tonight, as I sit in my Berlin hotel room on our final tour for this album, counting down the days until we return home, I can’t help but wonder when we will see each other again. Who knows? But, with everything Foo Fighter related, it will only be when it feels right. And that’s a feeling that’s easy to feel.

To each and every one of you that made the past few years the best our band has ever had, thank you. You have all given us so much, and we are eternally grateful.

For real.

One foot in front of the other….

Dave

 

Visit http://foofighters.com to download or stream Saint Cecilia EP for FREE now.

DAVID BOWIE ★ NEW ALBUM AVAILABLE FOR PRE-ORDER NOW

★ SINGLE AVAILABLE GLOBALLY FRIDAY NOVEMBER 20

★ SHORT FILM DIRECTED BY JOHAN RENCK PREMIERES TODAY

★ ALBUM OUT JANUARY 8, 2016

DB_BLACKSTAR ALBUM COVER

David Bowie’s new album ★ (pronounced Blackstar) is now available for pre-order HERE.

The ★ album will be released January 8, 2016 on Iso/Columbia Records in formats including digital, CD, and a stunning die-cut vinyl LP package  – a video of the vinyl LP can be seen HERE.

The album’s title track and first single will be released globally tomorrow, November 20, 2015 on all digital retailer and streaming platforms.

The single and film will premiere worldwide today in venues ranging from special theatrical premiere screenings presented in cooperation with Noisey at the Nitehawk Cinema in Brooklyn to a U.S. broadcast premiere on Palladia. Details and RSVP information HERE.

The full ★ short film will be available online from 4:10p ET HERE. Watch the ★ video teaser trailer HERE.

Music from the ★ single has been featured in the opening title credits and trailers for new TV series The Last Panthers. The series, also directed by Johan Renck, began airing across Europe in late-October and will premiere in the U.S. on SundanceTV in Spring 2016.

Pre-order links:

CD & Vinyl LP: http://smarturl.it/blackstar_amazon

Special configurations including exclusive lithograph artwork here:
http://smarturl.it/blackstar_dbstore
To receive the lithograph(s) by the Christmas holiday (and before the January 8 release date of the music product), please place your order by December 8.

Digital album: http://smarturl.it/blackstar_itunes

Limited edition clear vinyl LP will be available exclusively at Barnes&Noble.

imablackstar.com
davidbowie.com
columbiarecords.com

© Jimmy King

 

STATEMENT FROM EAGLES OF DEATH METAL

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While the band is now home safe, we are horrified and still trying to come to terms with what happened in France. Our thoughts and hearts are first and foremost with our brother Nick Alexander, our record company comrades Thomas Ayad, Marie Mosser, and Manu Perez, and all the friends and fans whose lives were taken in Paris, as well as their friends, families, and loved ones.

Although bonded in grief with the victims, the fans, the families, the citizens of Paris, and all those affected by terrorism, we are proud to stand together, with our new family, now united by a common goal of love and compassion.

We would like to thank the French police, the FBI, the U.S. and French State Departments, and especially all those at ground zero with us who helped each other as best they could during this unimaginable ordeal, proving once again that love overshadows evil.

All EODM shows are on hold until further notice.

Vive la musique, vive la liberté, vive la France, and vive EODM.

A STATEMENT FROM FOO FIGHTERS

It is with profound sadness and heartfelt concern for everyone in Paris that we have been forced to announce the cancellation of the rest of our tour. In light of this senseless violence, the closing of borders, and international mourning, we can’t continue right now. There is no other way to say it. This is crazy and it sucks. Our thoughts and prayers are with everyone who was hurt or who lost a loved one.